Laaga Chunari Mein Daag [My Veil is Stained] is an old fashioned type of melodrama, and I ate it up with a spoon. I hadn’t had a good cry watching a movie in quite awhile, and there’s nothing I love more than Ranishek. There’s something about their jodi that I just adore. I don’t know if it’s how tiny she is, and how tall he is, and how he looms over her protectively. Abhishek Bachchan is just swoony paired with Rani Mukerji, and especially so in this film.
This film also passes the Bechdel test spectacularly. Rani plays the older of two sisters who grow up in Benares on the banks of the Ganges. They live in a big ramshackle old house with a father who is too ill to work (Anupam Kher) and a mother who’s struggling to keep the family afloat financially (Jaya Bachchan). Konkona Sen Sharma is Chutki and is still in school, whil Rani Mukerji as Badki realizes she needs to find work to take the pressure off her mother.
Rani goes to Mumbai, and since she had not finished school and cannot speak English, she has trouble finding, and keeping any job. When her father is hospitalized and she calls home, Jaya in exasperation quarrels with her on the phone and tells her she can’t come home. In desperate straits, she becomes a high class escort with the name Natasha.
Okay, this part was a bit far-fetched as while she is duped into losing her virginity, she somehow easily becomes a high-fashion wearing high class escort with the help of a friend. She sends money home to her family to pay for her father’s medicine as well as to put her sister through college.
She is the mistress of an executive who makes her an “event planner” or some made up position and travels to Zurich with him on a conference. That’s where she meets Rohan, an attorney, and they have a magical day together.
Away from her normal life as a courtesan, she can imagine that she’s just a girl on a date, but reality calls her back.
Her sister surprises her by just showing up at her apartment as she has a new job in Mumbai after completing her MBA. Konkona has her own romantic storyline with the creative director at her office played by Kunal Kapoor. (I do love Kunal and Konkona together. They were great in Aaja Nachle, too.) Rani has done everything she can to hide her true profession, but her sister’s wedding brings everything to a head. Jaya, her mother doesn’t want her to come home as people will talk.
What I loved was that when Rani’s sister learns the truth, she realizes the sacrifices she made on the family’s behalf. She doesn’t judge Rani at all, and insists she come home for the wedding. And that’s when Rani finally gets her happy ending with Abhishek. It’s so wonderful, because she’s so afraid what he would think if he knew, but he knew all along and loved her anyway. The tears started when Rani’s sister accepted her, and just poured down my cheeks in the final scenes.
There’s also a fantastic cameo in the film by Hema Malini who plays a famous courtesan in Benares.
Yes, it’s a big melodrama, but it’s a Yash Raj Aditya Chopra produced melodrama so I loved it. And Ranishek. You just can’t beat swoony Ranishek.
Four stars out of five.
I agree with everything! The only thing I have to add is that the same director made Parineeta, which has a very similar sisterly dynamic.
LikeLike
I looked up the director and I also really enjoyed Eklavya. Well written, fully fleshed out women in all three films, but great sisterly dynamic in Parineeta, too.
LikeLike
This movie has done the impossible.Made me hate Jaya Bachchan.IIRC the director also made Mardaani.Another impressive movie with Rani.So he movied from the Vidhu Vinod Chopra camp to the yash raj Camp.Yup, fully fleshed out women in all his movies without dramatising them (much).
LikeLike
I haven’t seen Mardaani yet, but it’s definitely on my watch list. It was hard to sympathize with both the parents in this movie. You don’t usually see Anupam Kher play such an unlikeable father, either.
LikeLike