Kandukondain Kandukondain (I Have Found It, I Have Found It) is one of my all time favorite Tamil films. This adaptation of Sense & Sensibility came out in 2000, and has an amazing cast: Ajith, Tabu, Aishwarya Rai, Mammootty and Abbas. The music by A. R. Rahman is just amazing. When I was listening to one of the songs, I thought, I just want to watch this whole movie again, and I invited Alisa to watch this film and discuss it with me. She loved it so much, that she watched it three times in one week! I also rewatched the 1995 Emma Thompson Ang Lee Sense & Sensibility so I would have that fresh in my mind for comparison. Alisa and I agreed that while the Emma Thompson film is held up as the gold standard adaptation of Jane Austen’s novel, Kandukondain Kandukondain improves on it in several ways. I had such a good time discussing this wonderful film with Alisa Rivera (@BollywoodNewbie).
Ajith Kumar’s Vivegam is a pure action film by Siva, the same director as Vedalam. And that’s my issue with the film. It’s trying to be something like a Bond film or a Mission Impossible type of movie. Spies and double crosses and missing nuclear codes and so on. But it doesn’t have heart. It doesn’t have a story between all the great action set pieces to keep you interested in the story.
Kajal plays Ajith’s wife in the film, and there is no romance track. She becomes a woman in peril, as you would expect in a film like this.
There are some wild action scenes and nearly the entire movie is set in Serbia. If you want to see Ajith doing amazing motorcycle chase sequences and fight a samurai sword wielding warrior woman with nun-chucks. Then this is the movie for you.
I was hoping since it was the same director, Siva, as Vedalam, that it would be a similar experience. It was more Hollywood influenced. Maybe that’s what the Tamil audience wants, but the NRIs I saw the film with were also disappointed. I talked to two different groups in the lobby to see if it was just my negative reaction. It wasn’t just me.
But, it was a roller coaster ride of action. I’ll give them that. And Vivek Oberoi was a good villain.
In anticipation of seeing Ajith Kumar’s new Tamil film Vivegam, I watched his 2015 film Vedalam (Phantom). I thought that it was my first Ajith film, but in looking him up I realized he was in Ashoka as SRK’s younger brother, and most notably as the dream boat young filmmaker in Kandukondain, Kandukondain paired with Tabu. Hubba, hubba.
I really enjoyed Vedalam. It has fantastic action sequences but it really has heart at it’s center. The romance with Shruti Hassan provides some comic relief and a few nice song sequences. The interval point is when Ajith tells his story, and gives us the flashback that explains how mild mannered Ganesh came to Kolkata and what happened to his sister.
I absolutely adored Ajith’s relationship with his sister (Lakshmi Menon), and the story of how they became close. I love the trope of a rowdy who blossoms from the love of family.
The moment that Ajith turns was quite something and one of the most memorable sequences I’ve seen in Indian cinema. I can see why Ajith has such a fan following. He won over this new fan with this film!