The day finally arrived! Padmaavat finally was released, despite rioting, threats against the stars and physical assault of the director. I saw it in 3D which wasn’t really needed, but was my only option. It’s not the best Bhansali film ever, but it’s Bhansali so you have to see it on the big screen at least once. And I feel compelled to probably see it again, because I’m so worked up about that school bus being attacked by rioters in India over this film.
The controversy over the film even reached national news here in the US. I heard a five minute segment on the movie’s release, and the violence surrounding it on NPR this afternoon.
The above is an over 16 minute video review of the film, but I try not to give any spoilers (but we all know how it ends anyway.)
As Bhansali films go — it is average. It’s not my favorite, and besides the Ghoomar song, the music is not as memorable as Bajirao Mastani. But I’m there for the costumes, the colors and the sets, and they are GORGEOUS on the big screen. My local theater only has the film in 3D so you get to see those saris swirl out at you, gold threads shining. Shahid’s abs I could write an entire sonnet about — he has never looked better on screen!
The costumes were just even more stunning on a big screen. The attention to detail in the jewelry, the saris, and the outfits that Shahid wore (and Ranveer) is just stunning.
Here’s a video about the design of the jewelry!
It was worth the cost of the ticket just to see the whole spectacle of the film, but it’s slow paced. The run time is 2 hours 45 minutes, and believe me, at least a half hour could be easily cut. The film feels flat and staid. Anupama Chopra said the film lacked heart in her video review. I also didn’t feel tension in the final moments. We know what’s going to happen, but I’ve seen other films (like Neerja) where even though I know what’s going to happen I’m on the edge of my seat. I just didn’t feel that.
Speaking of Neerja, the great Jim Sarbh has a much bigger role as Ranveer’s slave in the film than I had imagined. He actually has an entire song he sings to Ranveer! I don’t like that his whole role is to prove that Alueddin is obviously evil because he’s bisexual, but Sarbh gives his role his all. It was just a pleasant surprise how much screen time he had.
Aditi Rao Hyari who I last saw in Mani Ratnam’s Kaatru Velliyidai, was very good as Ranveer’s wife in the film.
Ranveer is the stand out performance of the film. He really chews the scenery as the Muslim conquerer villain. I hated though, that Bhansali had him almost always with a dirty face, and black clothing.
In contrast, Shahid was shown in white and pale colors, often in a pure linen shirt ( that did blessedly still show his abs through the loose weave — I love you costume designer!!)
Shahid did well as the proud arrogant Rajput king. Deepika was absolutely luminous as Padmavati. I absolutely loved her introduction scene, hunting with a bow and arrow like Katniss Everdeen in the forest. How she meets Shahid the king was awesome. She is shown to be smarter than Shahid’s king, like a chess player that can see three moves ahead, so kudos to Bhansali for that.
The film just didn’t live up to my very heightened expectations. I just have greater expectations for the over the top films that Bhansali makes. The music wasn’t as notable as other films, besides the Ghoomar number which is amazing! – and I can’t help but wonder if he held back on story elements or cut certain things from the script that would have made a livelier film, but restrained himself due to the controversy. Even though there was a disclaimer before the film saying they don’t endorse sati — the way Bhansali filmed the last moments rather did do just that, and I don’t like that message.
I’m so worked up about the school bus being attacked in a riot about this film, that even though it’s average, I will see it multiple times just as my own personal protest. It’s overlong and slow, but it’s Bhansali. You have to see it on the big screen at least once.
In anticipation of Agnyathavasi, I watched Attarintiki Daredi (Which Path Leads to My Aunt’s House?) (2013), which teams Pawan Kalyan with the same director, 
Nadhiya plays the estranged aunt. and she was fantastic! She was the best part of the whole movie for me. She and Pawan share some very emotional scenes. I looked her up afterwards as it was making me crazy where I’d seen her before. She was Prabhas’s mother in Mirchi.
I enjoy the chemistry of Bhumi Padnekar and Ayushmann Khurrana together. This is a really sweet romantic film. I have to hand it to Ayushmann to go there. He is the same one who tackled sperm donation in Vicky Donor, a really enjoyable film, and now stars in a comedy about erectile dysfunction.
In an Indian romantic comedy, nothing is private, and every family member has to give their two cents about the couple’s predicament.
Both Bhumi and Ayushmann are riding the success this summer of their last pairing, Dum Laga Ke Haisha. I wish their films hadn’t been clustered so close together. I’m not sure the public is ready to see so much of them all at once. This film has a lot of charm, and it’s definitely worth a trip to the theater.
Ajith Kumar’s Vivegam is a pure action film by Siva, the same director as Vedalam. And that’s my issue with the film. It’s trying to be something like a Bond film or a Mission Impossible type of movie. Spies and double crosses and missing nuclear codes and so on. But it doesn’t have heart. It doesn’t have a story between all the great action set pieces to keep you interested in the story.
Kajal plays Ajith’s wife in the film, and there is no romance track. She becomes a woman in peril, as you would expect in a film like this.
Jacqueline Fernandez is great at comedy. I gained new respect for her from this film. She also had a great American accent. She doesn’t really get a big dance number, but she pole dances (!!!) in a song sequence at a karaoke bar.
Pardesi Reviews 