This Jr NTR trailer looks really good. I was loving all the teasers of the three characters he plays in the film, Jai (Raavan type), Lava (the nerd) and Kusa (rowdy hero?), but now this full trailer with subtitles shows me how much humor will be in the film. So funny!
I also love the indication of the big dance numbers, since NTR is a great dancer. Also, the fact that the characters are related is NOT a big secret to be revealed as it is in so many other double role Indian films. That’s refreshing.
I may not be able to see this one the first few days it’s out here in Chicago (it’s out on a Thursday here) and it’s killing me.
So excited to see NTR on the big screen for the first time!
Here’s the trailer with subtitles (which don’t work inside my reaction videos.)
Janatha Garage (I think it translates to People’s Garage) is writer/director Koratala Siva’s third feature film, and his first collaboration with Jr. NTR. I loved Siva’s previous blockbuster films, Srimanthuduwith Mahesh Babu and one of my favorite Prabhas films, the fantastic Mirchi. Malayalam superstar Mohanlal returns to Telugu films after a cameo appearance 2 decades ago. Janatha Garage was filmed in both Malayalam and Telugu, and released in both languages. I find it really interesting the cross promotion, because the film also includes Malayalam star Nithya Menen as the second heroine, in her first collaboration with NTR. Samantha Prabhu is the first love interest, a star in Telugu and Tamil Cinema.
Expectations were extremely high with this director, and with this star studded cast. I think having Mohanlal and Jr NTR in a movie together is brilliant. They were fantastic together, and frankly look like they’re family. I’ve only seen Mohanlal in Thenmavin Kombath (review soon) and NTR in the fantastic Yamadonga. The theater five minutes from my house had the film on two screens for the premiere, and pretty full crowds. It was fun to be there the opening night and hear the whoops and hollers for NTR’s first entrance. (My ticket seller wasn’t used to Telugu films – “That will be $8…I mean $20”.)
The first half of the film chronicles the creation of Janatha Garage (the people’s garage). Mohanlal not only fixes cars, but he fixes the problem of anyone who comes to him. When his brother and his wife are killed by one of their enemies, Mohanlal gives the orphan infant to the mother’s family saying that he will have nothing to do with the boy, as they wish. And as young Anand grows up, his family don’t even have a picture of his father in the house. They just tell him his parents died in an accident.
Jr NTR as Anand is like a cross between Captain Planet and DJ Khaled with his flowers (“I love you. I like that.”) This movie has a Message with a capital “M” and that is environmentalism. Anand is all about green spaces, planting trees, and against pollution and over development. Srimanthudu had a similar message with Mahesh Babu riding his bicycle everywhere. There’s one fight sequence where he lectures the goons on the forces of nature raining down earthquakes and tsunamis on them. He’s no pacifist environmentalist — at all. When a park is set to be demolished, he threatens the developer and the MLA – “The MLA will die, I mean, because of lack of oxygen if the trees are destroyed.”)
Anand (NTR’s) love interest is his cousin (Samantha Prabhu) and that was a little squicky for me because it seemed like they’d been raised as sister and brother. He meets Nithya Menen early in the film – and scolds her for things like setting off firecrackers for Diwali creating air pollution. Nithya becomes part of the group of friends with NTR and Samantha. One of my two favorite songs is NTR with Samantha in the Apple Beauty love song. He’s really fantastic dancing in this one.
Anand goes to Hyderabad to study Environmental Science, and has a run in with Mohan Lal’s son who has joined forces with the family enemy, the evil developer. NTR hears about Janatha Garage, and Mohanlal hears about his good deeds. Rather than confront him for the dust up with Mohanlal’s son, he asks NTR to join the Janatha Garage to carry on his work. Mohanlal had been in an “accident” and the doctors had warned his family that he should stop and not have stress.
Neither realize that they are nephew and uncle. But they have a natural affinity. They both just want to help people. In Hebrew, we’d call it Tikkun Olam – Repairing the World, which encompasses the environment and good deeds. It’s just that NTR knocks heads together to fix things as well as plants trees.
One of the best fight sequences has NTR coming to the aid of a government clerk who is ready to commit suicide rather than sign off on shoddy plans for a hospital. The builder has threatened his family, and he comes to the Janatha Garage for help. He’d been turned away by the others at the garage after Mohanlal got out of the hospital, but NTR resurrects the true mission of the garage by helping him out — and inspiring his co-workers to view the clerk as the true hero.
Koratala Siva has set up an emotional family drama to punctuate the action. Mohanlal has the son who rejects his way of life and joins the enemy camp. He also has the son of his heart, NTR, who he doesn’t even know is his true long lost nephew. And there is a very dramatic scene when Anand’s family finds him at the Garage, and forces him to choose the girl he loves or Janatha Garage.
The songs are mostly very good, and NTR’s dancing is great. Kajal has a really fun item number in the second half — the very catchy Pakka Local (Strictly local girl).
Jr. NTR has lots of charisma and screen presence, and his dancing and fight scenes are great. NTR is looking much more fit than his Yamadonga days, but he’s not as playful as he was in that film. Srimanthudu had more moments of levity than does Janatha Garage. Mohanlal is predictably excellent as the sort of do-gooder don of Hyderabad, with tough fights in the first half, and anguish over his wayward son in the second half. One thing that could have been better is the villain is more smarmy than scary. The romance elements are not the focus of the film at all, and take a back seat to the male family relationships and the action.
An enjoyable flick, even if it dragged a bit in parts, and especially fun to see Mohanlal and Jr. NTR act together. They make a perfect pair.
I purchased the Telugu film Yamadonga [God of death thief or Thief Yama] on DVD months ago because it was highly recommended by a friend. I kept picking it up, and putting it back down. Frankly, the cover image doesn’t do anything for me. But I forgot that I bought it because it is by director S. S. Rajamouli (of Baahubali fame!) Yamadonga came out in 2007 (between Chatrapathi (2005) and Magadheera (2009)). Yamadonga was my first Jr. NTR film, but his third collaboration with Rajamouli.
Chatrapathi has that amazing CGI shark fight with Prabhas, and Magadheera anticipates Baahubali with its lengthy past life fantasy flashback. And then of course, Rajamouli made the hero reincarnate as a FLY in Eega. His imagination has no bounds, and continues to amaze me with every film. I was blown away by Baahubali, which I saw four times in the theater alone, and cannot wait for part 2 next year. Yamadonga is a delightful flight of fantasy as a thief insults Yama (the God of Death) and is sent to hell before his time.
Jr. NTR is no Prabhas (my favorite Telugu actor), but he definitely has an impish charm. I was trying to think what Hollywood actor he reminds me of. He’s sort of like Chris Pratt – looks cool in the action sequences, but has that charm and sense of comedy silliness about him.
I know this is shallow of me, but I hated NTR’s hair in this film. It just looked awful. There were a few music numbers where his hair was much shorter, and he looked a thousand times better. He has that same look in the poster for his next film Janatha Garage (with Mohanlal) coming out next month.
As children, the thief Raja (Jr. NTR) meets Mahi. She gives him an amulet necklace that had been blessed in a temple. He can’t pawn it, and throws it away, but over his life, it keeps turning up.
Mahi (Priyamani) grows up and is an orphan treated as a servant in her family’s household. She’s sort of a Cinderella waiting for her prince. (Isn’t it handy NTR is named Raja?) NTR rescues her but then tries to ransom her to her family when he sees a TV report that she is a wealthy heiress (which she doesn’t know.)
For the first time, Mahi who had been treated as a servant, is waited on like a princess by Raja. Raja has cursed Yama (the God of Death) to the heavens, and Yama vows revenge on this human. Raja is killed before his time by goons sent by Mahi’s family and then half the movie is set in the fantasty realm of hell. Raja is a thief by nature, and tricks Yama and steals his rope of death, becoming the ruler of hell himself.
The modern day parts of Yamadonga aren’t that different in plot than any other Telugu action romantic film, although the action scenes are great. But the film takes off in the fantasy hell sequence and in a scene in heaven with all the gods. The sets are glorious. Mohan Babu is fantastic as the insulted god Yama. The comedy uncle of pretty much every Telugu film, Brahmanandam, is Yama’s sort of clerk Chatragupta keeping track of the book of deeds of the human sinners.
Raja proposes an election to have the demons of hell pick their new ruler between Yama and Raja. Yama brings three goddesses to dance, but then NTR as Raja dances with them and brings out the spirit of his grandfather. Jr. NTR is the grandson of the famous actor and (then politician) NTR. Rajamouli uses CGI to have Jr. NTR and NTR talk and dance together onscreen (like Dhoom Taana in Om Shanti Om). This Young Yama song reminded me of the song Manohari in Baahubali with NTR dancing with the three women.
NTR is a great dancer (he’s accomplished in Kuchipudi dance), and this sequence was one of my favorites in the film.
Raja returns to earth, but if he sins again, he will be returned to hell. He’s about to marry Mahi, when Yama decides to trick Raja into sinning. Yama takes the form of a woman to tempt Raja – Raja’s former partner in crime and money lender.
Mamta Mohandas is Dhanalakshmi (Yama in disguise), and I loved her portrayal. She’s seductive, but she has the air of Yama’s arrogance and swagger at the same time.
That’s the thing about this film. Not only is NTR great, but so many of the supporting actors are simply fantastic. Priyamani‘s performance is just okay as the innocent naive Mahi. She has some great dance numbers with NTR, but her acting was not on the same level with the others.
I had so much fun watching this movie. Rajamouli never disappoints, and NTR provides a lot of comedy, great dancing and cool action scenes. I have never seen a Ramayana TV serial, and I’m sure the hell scenes reference some of those, or Ram-Leela pageant plays. But you don’t need that background, or even an understanding of the Indian gods to enjoy this film.