Te3n – Amitabh Bachchan as an obsessed grandfather searching for clues to a family tragedy

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Te3n is a Hindi thriller starring Amitabh Bachchan as the grandfather of a young girl who was kidnapped and killed 8 years ago.  He can’t let the unsolved case go, and visits the police station every day for an update.  Vidya Balan is the police detective who tries to gently get him to move on.

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Nawazuddin Siddiqui was the police officer investigating the case 8 years ago, and botched it.  He has since become a priest, and Amitabh (John) also torments him regularly about the cold case.

Amitabh neglects his disabled wife, the bills and regular life in his obsession to find justice for his granddaughter.  He uncovers what he believes is new evidence in the case, and gets Martin (Nawaz) to accompany him to track down more clues.

Then another young child is kidnapped, and the details of the case seem to be an exact copy of the case of John (Amitabh)’s granddaughter.  Vidya calls on Martin (Nawaz) to help her find the kidnapped boy.

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What this movie got right was the obsession that family members can fall into, especially the elderly, with an unsolved case.  Our family happens to have a missing person/probable murder cold case.  Having a tragedy like that hanging over a family can take a heavy toll.  Amitabh lets all the despair and pain show in this movie.  His wife, and every one urges him to just let it go, but he can’t.  He just can’t.

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Te3n is written and directed by Ribhu Dasgupta and produced by Sujoy Ghosh of Kahaani fame.  It’s an authorized remake of the Korean film Montage, which I have not seen.  Te3n is set in Calcutta, but just never manages to reach the level of suspense and tension of Kahaani, or true surprises.  Here you have three of my favorite Indian actors in Hindi cinema, and while the film is good, it’s not as great as I was hoping it would be.  The ending was a satisfying conclusion to the thriller, but I had some unanswered questions.

Amitabh’s John is fleshed out, but I was left wondering if it was just this one case that led Martin, Nawaz’s former cop character to become a priest.

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Three and a half stars out of five.

Socha Na Tha – An Absolutely Delightful Romance – I wish Imtiaz Ali Would Make Another Romance Like This His First

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Dharmendra chose well for his nephew Abhay Deol’s debut film, Socha Na Tha [I Never Imagined].  He picked the talented director Imtiaz Ali who gave the falling-in-love-with-the girl-your-parents-picked-for-you Indian romance a fresh modern feel.  This was Imtiaz Ali’s first film,  after directing in television.  Socha Na Tha was not a commercial success, but it gained critical praise at the time, and he followed it with Jab We Met, one of the all time favorite Hindi romance films.

Abhay plays Viren, a young man who has returned to India from University in the US, but has not started work yet.  His family despairs of him growing up, and his father puts his foot down.  He’s 24, and it’s time he was married.  He agrees to meet a girl his family chooses, but he has a secret romance with a Christian girl, Karen.  He’s on the verge of proposing to Karen.

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Viren and Aditi (Ayesha Takia) first meet at her family home.  Ayesha is absolutely adorable.  She explains to him that she doesn’t want to get married either, but he has to be the one to refuse her, as she can’t.  Once they get that out of the way, they have a wonderful easy conversation.  From the little we’ve seen of Viren’s interactions with Karen, he has a rapport with Aditi immediately and an ease that he doesn’t with his years long girlfriend Karen.

When Viren refuses Aditi as a potential bride, the families grow hostile to one another, as Aditi’s family feels Viren led her on.  They meet by chance in a mall, and he explains asks for her help in convincing his girlfriend’s parents to let her go on a holiday trip to Goa.  Aditi tells her parents that Karen is attending her wedding, and Karen tells hers the opposite.  But Karen joins the party a few days late.  Viren and Aditi spend lots of time together and grow closer and friendlier.  When Karen arrives, she senses what’s happening.  Aditi and Viren spend one whole night talking and fall asleep together on the beach.

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Once they return, Viren does propose to Karen but his family is opposed to him marrying a Christian.  He’s convinced it will never be resolved and meanwhile is obsessing over video he took of Aditi in Goa.  He goes to see Aditi, and almost Romeo like sneaks up her balcony into her room.  What comes next is one of the most romantic scenes I’ve ever seen in Hindi film.  It’s not that Abhay is such a great actor at this early point in his career.  It’s all Imtiaz Ali’s skill in directing this scene.  It’s become one of my all time favorites.

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Viren says to Aditi, “I thought I was in love with Karen.  But if that was love—what is this?”

https://www.youtube.com/watch?v=0AS74zFdcZI&list=PL104D4E6F7FBEFECC&index=1

 

Things become a tangled mess for Abhay, as his parents suddenly agree to his marriage with Karen and now he’s stuck.

The last part of the film is hard to watch because Viren is so indecisive and takes a long time to tell people what he wants to do with his life.  He doesn’t want to disappoint his family, and can’t figure a way out.  He needs to grow up, and so does Aditi.

Margaret at Don’t Call It Bollywood gives a great analysis of Socha Na Tha and how it reaffirms arranged marriage.  Because in the end, this film is showing that the best partner is the one your family chose for you.  That they know you best.  It was her post that led me to buying this film and watching it.  I’m so glad I did.  I loved it and how natural and modern Imtiaz Ali made this story feel.  Abhay Deol was fantastic in this even if I wanted to wring his neck at several points.  Ayesha Takia was wonderful, and I liked how Karen (Apoorva Jha) wasn’t a stereotypical evil ex.  She is actually instrumental in getting Viren and Aditi back together.  Even the stern father, we see really loves Viren, and has good reason for wanting his son to grow up already.  (Since I have a son about the same age who is finding himself, I can relate, much more than I want to.)

Four and a half stars out of five.  Imtiaz, please give us more great romances like Socha Na Tha and Jab We Met with these great real characters!

 

 

 

Manjhi: Mountain Man – Nawazuddin Siddiqui is amazing as always

I was at my local library looking for another film (Dookudu!), when I happened to see that Manjhi:  The Mountain Man was in the new release DVD section.  Our local movie theater had shown trailers for Manjhi for months, but it never came to the big screen in our town.

I absolutely love the acting of Nawazuddin Siddiqui.  He is consistently amazing in every movie I’ve seen him in.  Like Irrfan Khan, I’d bet he could make reading the phonebook a dramatic triumph.  Since half the movie has Nawaz acting only with himself and railing at his mountain, you need someone of Nawaz’s talents to pull it off.

Manjhi is based on the real life story of Dashrath Manjhi, who really did carve a road through a mountain with just a hammer and a chisel.  Dashrath’s wife had died from a fall, and died because it took so long to get her to medical care.  After her death Dashrath Manjki vowed to make a road through the mountain to allow for faster medical access for his remote village.  He worked at it for twenty-two years.  It sounds like a story that is so fantastical that it couldn’t even be real, but it is.

My favorite part of the movie was the first half which has the romantic story of Dashrath and his wife Phalguni (Radhika Apte).  Dashrath was born in a caste so low that they were the rat-eaters of the village.  There is a tyranical zamindar and his evil son who rule the village with an iron fist.  Dashrath runs away from home to escape being forced into lifelong bondage to the zamindar.  He returns to the village after some years working in the coal mines.

He falls in love with a village girl, and realizes that she was actually his child bride.  I just loved Nawaz and Radhika Apte and their scenes together.  Life is hard.  The Zamindar and his son are barbaric to the low caste villagers.  But Dhashrath and his wife carve out happiness together.

Tragedy strikes when a pregnant Phalguni falls from the mountain while pregnant with their second child.  Dhashrath carries her miles and miles to the closest hospital, but it isn’t soon enough to save her.  He is left with two children to raise alone, and at this point he goes a bit mad.  He vows to the mountain that he will break it.

The second half of the the film shows his struggles chipping away at the mountain all those years.  The filmmaker tries to insert some drama here, and it gets a bit metaphysical with visions of his wife talking to him, and soliloquy’s with the mountain.  Nawaz tries his best, but the script is not as good here.

Nawaz does not make Dhashrath a saint.  This is a man so obsessed that he leaves his children in the care of his drunk father to work on his mountain path.

The film is definitely worth seeing just for Nawazuddin Siddiqui’s performance.  Seeing him romance Radhika Apte in the first half of the film makes me anticipate the romantic comedy he’s filming right now even more.

Manjhi:  The Mountain Man was not quite as great as I’d hoped it would be, but I give it four stars out of five.

 

Krrish 3 – Super Interesting With the Current Kangana/Hrithik News

I watched Krrish 3 for the first time, and it it was super interesting with all the recent news about Kangana and Hrithik and the affair they may or may not have had.  At this point you can’t help but examine every scene with Hrithik and Kangana through that prism.

I don’t have a lot to say about Krrish 3.  I enjoyed Krrish and Koi… Mil Gaya was, well, kind of bizarre.

Krrish 3 is really a decent super hero movie.  The CGI was good.  Yes, there is liberal borrowing from Hollywood films like X-Men and Spiderman.  Hmmm.  A villain with a frog tongue, a villain with a rhino horn.  Gee, where have I seen that?  A villain who can change into any other person she touches.  Hmmm.

I am no Vivek Oberoi fan by any means, but I was actually impressed with him in Krrish 3.  His Kaal is sort of a Magneto villain crossed with Professor Xavier in a wheelchair.  He was quite good as a worthy antogonist for Krrish, and I liked that it being an Indian movie, we had family themes with his character.

Absolutely hated his costume, though.  It looked like a kid made it and slapped some tin foil on a football helmet.  Not cool enough.

It’s standard superhero fare, but for Indian cinema, that’s still saying quite something.  Definitely one that kids could enjoy.  Solid three stars out of five.

And, the extra bonus is that we get a great dance number with Priyanka and Hrithik!  Believe me, Batman vs. Superman could have used a nice song and dance to lighten the mood a bit.  (Zach Snyder, take note!

 

 

 

 

Super Interesting Making of Gaurav from Fan – SRK has Brad Pitt’s cheeks!

YRF released this behind the scenes Making of Gaurav video for the movie Fan.  I had so many questions after watching the film a second time, and really looking at how different Gaurav is from Shahrukh.  Besides the big cheeks, the eyebrows are different, and he just looked slimmer and smaller over all.

(Gifs from KKKG Tumblr)

This 14 minute video answered a lot — it was prosthetics and lots of VFX on top.  This is the same special effects makeup artist who worked with Brad Pitt on Benjamin Button.  So he looked up in his work shop and saw a mold of Brad Pitt’s face, and decided to use those unique cheekbones to make Gaurav’s look.  Fascinating!

 

Fan Review – Some of Shahrukh’s best acting in years

When I first saw the trailer for Fan, I was frankly creeped out by the look of the character Gaurav (the Fan).  Through the use of prosthetics and major CGI, the filmmakers have made Shahrukh look just similar enough, and just different enough that it’s eerie.  The eyebrows are straightened out of their normal “S” shape.  The cheeks are too wide and the teeth different, and mostly, he looks so young!

But once you watch the film, it’s great, because Shahrukh Khan the actor has been able to create two distinct characters in this film.  Aryan Khanna is for the most part the real SRK, a little more arrogant and less warm maybe.  And Gaurav is the young obsessed fan from Delhi.  The prosthetics and CGI let you see them as two different people immediately.

I was fortunate to see Fan before I really read any reviews or saw anything about the plot.  Of course, I had my suspicions that this would be a darker psychological  thriller, and it most definitely is.  I was traveling for a conference in Las Vegas on Friday, and asked at an Indian restaurant which of the total two theaters in town showing Fan would be a safer neighborhood to take an Uber.  Totally worth it to see it the first night!  I knew a bit what I was getting into, that there would be no songs, but I think the audience I was seeing it with really didn’t know.  As the end credits started, the guys behind me said out loud, “What, no song?”  The tone and moment that the film ends with, I’m glad that we didn’t have that peppy Fan Anthem song over the credits.  It would have been jarring.  (Like the credit song was for Badlapur!)

I don’t want to spoiler the movie at all.  I’m just going to tell you that you should really see this film.  It is a return to Shahrukh the actor, which I had been hoping for!  This is acting of a level with Darr, with Swades, or Chak De!  Yes, it really is that good.  It’s up with all the great performances.  I’ve already seen the film twice and I plan on seeing it again in a few days with a friend.  For a Shahrukh Khan fan, there is so much to delight in references to real past movies of SRK’s.  Real old interview footage, footage from his SLAM! Tour in the US in big stadiums –  they even filmed at his home Mannat on his birthday to capture the craziness.

You can guess from the trailer that it’s about a super star, and an obsessed fan, and things are going to get crazy.  I’m giving it four and a half stars out of five, because I loved it that much, but there were a few logical leaps in the second half.  I’m not sure the logic of the thriller completely worked, but I just loved watching it unfold before my eyes anyway.  The action set pieces are really good, and Dubrovnic is gorgeous!!  (That’s the rooftop chase from the trailer.)

I’ve seen people say this is a copy of the Robert DeNiro/Wesley Snipes film The Fan, and it really isn’t.  Yes, you have an obsessed fan in both thrillers, but that’s where the similarity really ends.

None of the other actors in the movie are big names.  There’s another rival “star” in the film named Sid Kapoor that I think is supposed to be a take on Hrithik.  I recognized the character actors playing Gaurav’s parents, but really the movie is Shahrukh vs. Shahrukh.  I also admire Shahrukh for poking a little fun at his own stardom.  There’s a scene where Aryan is performing for a wedding for a huge fee, and even him punching the star Sid Kapoor at a party could be reference to real dustups that Shahrukh has had in his own life.  Aryan is an aging star, who has declining box office for his films, and Gaurav at first won’t stand for any rival to take his God, HIS star’s place.

What is fantastic in this double character study is that your sympathies go from one character to the other and back and forth again.  There are shades of gray to both characters, and I loved that.  This was writer/director Manesh Sharma’s dream project for years.  Yash Raj had him prove himself with a few other films first, and he started with Band Baaja Baaraat, and what a debut that was!  He had to wait fot the timing to be right for Shahrukh to be involved — really I don’t know if I can think of any other Bollywood actor more perfect for this dual role.  It’s a triumph for Shahrukh, Manesh Sharma and the VFX team.

I’m so excited for Raees now!

 

 

Some recommended films from around India

For my Hindi pick, Paheli is certainly not one of SRK’s biggest films but I love it.  Fantasy films seem to be unusual in Hindi cinema, and in this film Shahrukh Khan plays a number counting merchant husband, and a Ghost or spirit (sort of a genie, really) who takes his place.  Rani Mukerji is the bride who captivates the Ghost, with Amitabh as a wise shepherd in a cameo.  It’s a fable that is also about women’s empowerment, and the scene where SRK tells Rani he’s a ghost is one of my all-time favorites.

And the soundtrack!!

   

My Tamil pick is Mani Ratman’s 2015 film OK Kanmani, with music by A. R. Rahman.  A young couple (the charming Dulquer Salmaan and Nithya Menon) wants to live together because they are cynical about marriage.  They learn about true love from an older married couple.  Prakash Raj (who we’re used to see as a villain in Hindi films) plays a devoted husband to his wife with Alzheimer’s.  If you live in the US, it is on Netflix streaming, and I highly recommend this wonderful film.  I sought out this film after hearing the song Mental Manadhil at an A. R. Rahman concert.  So glad I did!

Dulquer Salmaan from OK Kanmani is usually in Malayalam films, and that’s what brought me to watch the Malayalam film Bangalore Days.  This is my number one pick of Malayalam films I’ve seen so far.  It’s a wonderful coming of age tale about three cousins and has a great ensemble of young Malayalam actors in it.  Ohm Shanti Oshana is also a great woman centered film (with the same lead actress above), but Bangalore Days, Bangalore Days, Bangalore Days!

For Telugu films, there can be only one — Baahubali!  I was so blown away by this film, I watched it four times in the theater!  This film is available dubbed in Hindi, but you can readily rent the Telugu version on Youtube.  Prabhas plays a dual role, Shivuvu and Baahubali.  It is EPIC.  It’s a fantasy with stunning visuals.  S. S. Rajamouli cannot be matched for his imagination in film (have you seen Eega where the hero is a FLY?)   The battle scenes rival films like Gladiator, and there are several kick-ass women characters.  Mirchi is my second favorite Telugu film I’ve seen so far, also starring Prabhas with Sathyaraj (Kattappa in Baahubali).  It’s so long to wait till 2017 for part 2 of Baahubali!!

Why I Love Indian Cinema

A few weeks ago, I answered a question on Quora, “Does anyone besides Indians watch Indian movies?”  This post is adapted from the answer I gave.  At first I gave a brief answer, but then people commented and wanted to know WHY?  Why would a non-Indian love Indian films?  Many commenters were at first incredulous, but then thanked me for showing them an outsider’s view of their cinema.   As of this writing, the answer has garnered over 170,000 views, and made me a Most Viewed Writer about Bollywood on Quora.  (Which still blows my mind.)

Netflix in the US has over 80 Hindi films at anyone time.  Because of the kind of films I enjoy, Netflix recommended I watch Dilwale Dulhania Le Jayenge about 2 years ago.  Since I fell in love with Bollywood, I’ve seen over 200 Indian films.  I’m lucky that in my area new release films play in a few local theaters.  I was able to see Kapoor and Sons just last night and I absolutely loved it.

I’m not the only non-Desi in America to love Bollywood movies, but I wouldn’t say it’s very common.

My father’s church has a monthly movie night, and he asked me to show a Bollywood movie last week.  I chose Dil Se, and showed it to 15 people, including my parents, who had never before seen a Bollywood film.  They all loved it!

Editing to add my answer from the comments below, WHY I love Indian films:

I also love old Hollywood musicals like Fred Astaire/Ginger Rogers and Gene Kelly films.  Hollywood does not make them anymore.  I love the singing and the dancing in Indian cinema, but also the earnest love stories are not the kind of films that Hollywood makes either.  Rom Coms are becoming rarer and rarer in American films which tend to be more cynical.  The emotions in Bollywood films are something that is rare to see in Hollywood or English films.  People joke about how much Shahrukh Khan cries in his films, but I really respond to the emotions shown in Indian cinema.  Also, the colors on screen!  Bhansali’s film Ram-Leela is an example of this.

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I listen to Bollywood music all the time, as well.

Indian films just give me things I cannot get from Hollywood or other Western cinema.  Plus Shahrukh Khan.  I’ve watched 47 of his films alone (which doesn’t count the countless times I’ve watched DDLJ.)  🙂

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I do love South Indian films as well, and I have seen a little over 30 South Indian films.  I fell in love with Prabhas after watching Baahubali last year (four times in the theater!).  I now own many of his Telugu films on DVD.

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Recently, I’ve been watching quite a few Malayalam films, especially recent ones with Nivin Pauly and Dulquer Salmaan.  I have watched fewer Tamil films, but I asked my neighbor to bring me back some DVD’s from her recent trip to Chennai, and have been working through the dozen films she brought me.  Last week, I watched Raja Rani, and liked it.

For those interested, I keep track of all the Bolllywood films I’ve watched on Letterboxd.com, and here’s my list of Regional films I’ve seen, up to 32 now after watching the Malayalam film Classmates last night.

I asked for commenters to recommend their favorite Indian films — and oh boy, did they.  I’ve created a Letterboxd list now of all the films recommended there in the comments that I have not already seen.  Now up to 372 (!!) films in several Indian languages:  Hindi, Tamil, Telugu, Malayalam, Kannada, Marathi, Punjabi, etc.  The question now is will I live long enough to watch even half of them!

My first Bollywood film ever was Lagaan, back almost 15 years ago when it was nominated for the Foreign language Oscar.  That was back when you could only rent Netflix movies via DVD in the mail.  I then watched Dil Chahta Hai, because that also had Aamir Khan.  But it was not so easy back then for a non-Hindi speaker to find out about other Bollywood films.  The internet has helped so much, and Netflix’s recommendation engine is the reason I fell in love with Bollywood 2 years ago.  DDLJ was recommended to me, then I was able to watch Rab Ne Bana Di Jodi right after that.  I texted my Indian next door neighbor for other suggestions, and she loves Hrithik Roshan and Zindagi Na Milegi Dobara was also streaming on Netflix and I was off to the races with my new obsession.

I have been mentored by two other non-Desi lovers of Bollywood who then suggested many other films for me to try, and in some cases pushed the DVD’s into my hand saying, “YOU HAVE TO WATCH THIS!”

Kathy Gibson of AccessBollywood.net  and Margaret of DontCallItBollywood

Shout out also to the gang at Bollywhat forum!

Kapoor and Sons (since 1921) Film Review

Sometimes there are movies you have been anticipating for months and you do a little prayer before it starts that it lives up to your hopes for it. This is a movie that not only exceeded my every expectation – it blew me away it was so excellent.  I’ve seen the movie twice now.

I don’t want to spoiler this movie, because I really enjoyed going into it guessing what might happen in this intense family drama, but not knowing. I laughed, I cried, I gasped in shock at more than one point. This film puts you through the emotional wringer. I really cried at more than one moment in the film.

This is an incredible ensemble of actors. Rishi Kapoor was a hoot as a fun loving 90 year old grandfather whose sudden heart attack brings home the two brothers, played by Siddarth Malhotra and Fawad Khan. There are tensions and secrets that burst out over the family coming together again. The trailer plays up the romantic angle with Alia Bhatt’s character, but that’s just a small part of the drama.

I do love Siddarth, but he is the lesser actor of this stellar cast. The stand out, by far, is Fawad Khan. This Pakistani actor had his Bollywood debut in Khoobsurat in 2014, and I’ll admit it, I caught Fawad Fever. I watched his entire Pakistani soap Humsafar (on Watch Bollywood Movies Online – Eros Now), and this guy can ACT. He’s also incredibly generous with the actors sharing the screen with him. What a choice of a sophomore Bollywood role. It has felt like it’s been forever since Khoobsurat came out, but this film was so worth the wait. When the movie was over I wanted to watch it all over again!