Aloha – Kind of a Mess

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Sometimes even I am too tired to watch a movie with subtitles.  I picked Aloha on demand because it wasn’t too long, basically.  Wow, what a mess of a movie.  I knew it had gotten lots of bad press because of the whitewashing casting of Emma Stone in a character that is supposed to be a quarter Hawaiian and part Chinese , Captain Allison Ng.  Cameron Crowe has made some really fantastic films, but lately he seems to have lost his way.

My issues with the film are beyond the whitewashing, but why Cameron Crowe didn’t just make Emma Stone’s step-father Hawaiian or something, I don’t know.  She’s supposed to be a believer in Hawaiian legends and superstitions in the plot.  I guess he based the character on a real red-headed Hawaiian woman, but he should have seen the controversy coming.

aloha-2015-movie-screenshot-john-krasinski-john-woody-woodside-5But moving on from that, there were plenty of times in the movie where I could not figure out what was going on.  This is basically a rom-com dramedy and I couldn’t figure out why the main characters were acting the way they were.  There were some shining moments to the film,  especially the performances.  Crowe assembled a great ensemble cast.  Rachel McAdams is military contractor Bradley Cooper’s ex-girlfriend.  The always great Bill Murray is Cooper’s wealthy eccentric boss, and I just loved him in this.  John Krasinski is Rachel McAdam’s military pilot silent stoic husband, and I just adored his performance especially.

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I wish the film had been from the perspective of either of the central women figures in the script, because I was most interested in their stories.  But of course, this is Cameron Crowe, so it’s all about the journey and perspective of messed-up-and-at-a-life-crossroad Bradley Cooper.  He can’t move on to a romance with Emma Stone until he resolves his issues with ex-girlfriend Rachel McAdams.

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The complicated confusing plot about launching a satellite that might have weapons and all is incidental to each actor getting a little flourish of an acting moment.  While there were some scenes that were brilliant, the whole didn’t hold together.

You, dear reader, are unlikely to watch this film, so I’m spoiling the ending because it annoyed me so much.  Rachel McAdams and Cooper broke up 13 years ago when he did not show up for an important weekend vacation.  She has a 12 year old daughter and had married John Krasinski shortly after the breakup.  Yep.  Everyone does the math.  The final scene shows Bradley Cooper looking through a window at his daughter in her hula dance class.  She looks out and he beams and nods.  The young actress is great in doing what Crowe asked her to do — look surprised, then tearily happy, as she runs out to give Cooper a hug and then run back to class.  Really??  A pre-teen girl figures out that the father she’s known her entire life is not her real father, and this near stranger just nods at her and it’s all good?  Yeahhhh, I don’t think so!  She doesn’t first think, hey it’s creepy that this old friend of my mom is staring at me?  Or have any anger at her mother or him?  Of course not, because her part in this movie is just to tie up Bradley Cooper’s character’s life up with a pretty bow.

I did like the Hawaiian setting.  My in-laws used to have a house in Hawaii, and there are not enough movies set there and celebrating what’s unique about it.

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Bridget Jones’s Baby – I laughed my ass off

bridget-jones-gallery-01It’s been 15 years since Bridget Jones Diary came out, and 12 years since Bridget Jones:  Edge Of Reason.  For me, Bridget Jones’s Baby had the same delightful feel as the first movie, and there’s a reason — Sharon Maguire, who directed the first film is back for the third.  The second film wasn’t awful, it just had the curse of following such a beloved first film.  The only thing I really remember about it was that slap fight in the fountain between Hugh Grant and Colin Firth (those two commit, 120% in their slap fights!)

Bridget Jones’s Baby starts back in that old apartment, hitting the same beats as the first film, but then Bridget changes the music and dances around her apartment, happy in her singledom.

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Pretty much everyone from the original film is back in little cameos, but I loved the new additions, like Bridget’s co-worker and best pal Miranda, played by Sarah Solemani.  Bridget is still a bit clumsy, but she’s now a successful TV news show producer, and Miranda is the host.  I liked that Btidget is now a grown up and competent, even if she’s puzzled by the Millennials at work.

The only one not back is Hugh Grant.  His plane has gone down “in the bush”, and there’s a hilarious funeral scene with pews full of models and old girlfriends.

When Bridget’s old pals bail on her birthday celebration, Miranda surprises her with a girls’ weekend at a music festival.  She falls in the mud in front of Patrick Dempsey (Jack) and they end up hooking up later that night.

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The next weekend, she and Colin Firth are godparents at a friend’s baby’s christening, and sparks fly with them again after Darcy admits he and his wife are separated.

Bridget is happy to go back to her single life, and thinks that she and Darcy will never work.  They tried, but he is too wedded to his work.

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Well we know what happens next from the title!  She gets pregnant and has no clue which man is the father.  She tells both separately, and after being stunned, billionaire Jack (Dempsey) warms to the idea and actively woos her.

Darcy is thrilled that she’s pregnant, but decidedly NOT thrilled when he learns he has a rival.  He’s so Darcy buttoned up and reserved, with his seething feelings under the surface waiting to burst out.  Sigh.

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Emma Thompson is hilarious as Bridget’s doctor, with her witty wry humor (she even co-wrote the screenplay, and boy does it show.)  I loved that the doctor tells her she doesn’t need either man, and would be just fine with the baby herself.  “I did it!”

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When Bridget goes into labor, I was practically rolling on the floor with laughter as the two men try to carry her to the hospital, and make it through a revolving door.

You’ll enjoy the film more if you’ve seen at least the first movie, but one of the friends who saw it with me had no clue this was the third movie in a series.  She laughed just as hard as me (okay, maybe I really laughed loudly), so it’s very enjoyable to people new to all things Bridget Jones.

Very funny movie, and especially fun to see with gal pals.

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Remembering Director Curtis Hanson

rip-curtis-hansonRIP Director Curtis Hanson. News of his passing from natural causes at age 71 greeted me this morning, and I’ve been thinking about him all day.

I never did see The Hand That Rocks The Cradle, his breakout film, or the entirety of River Wild with Meryl Streep and Kevin Bacon. (I’ve only seen bits and pieces of that film.)

My first Curtis Hanson film was the fantastic L.A. Confidential, for which Kim Basinger won an Oscar, and Hanson won a writing Oscar. Oh, my goodness, what a great film.  We can thank Curtis Hanson for giving two Aussie actors their Hollywood debuts: Russell Crowe and Guy Pearce.  These are two of my favorite scenes:

 

I enjoyed the quirky character study films Wonder Boys and In Her Shoes, but 8 Mile goes down as another of my all time favorite films.  Who knew Enimem could act, and be so riveting on screen even when he wasn’t rapping?  Curtis Hanson took a chance and wow, what a film.  (I totally forgot Michael Shannon was in 8 Mile!)

 

Hanson’s final film is Chasing Mavericks with Gerard Butler.  I missed it in theaters, but I think I need to find it.  RIP Curtis Hanson and thank you for some fantastic films.

How To Tell You’re A Douchebag on BET tonight!

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Our movie comes out on BET Saturday night at 8 p.m. Eastern/ 7 p.m. Central.  Set your DVR’s!

If you don’t live in the US, the movie is available for rental and purchase on iTunes.

Charles Brice, the lead actor, did a fun interview yesterday on BET Facebook Live.

My husband and I were the first investors in director Tahir Jetter’s debut feature film.  It premiered at the Sundance Film Festival in January, and it’s just a fun modern romantic comedy set in Brooklyn.

So proud and excited for tonight!

The Light Between Oceans -Beautiful scenery and beautiful acting in this melodrama

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Michael Fassbender stars as Tom Sherbourne and Alicia Vikander as his wife Isabel in DreamWorks Pictures poignant drama THE LIGHT BETWEEN OCEANS, written and directed by Derek Cianfrance based on the acclaimed novel by M.L. Stedman.

I learned something about myself in watching the melodrama The Light Between Oceans, and that is that my perspective watching Western movies has changed after watching so many Indian films.  I only got a little misty at the very ending.  It was meant to tug at my heartstrings, but it didn’t affect me very strongly.  (Meanwhile, the friend with me who has an adopted son, cried through most of the second half.)  The film is beautifully shot.  It’s gorgeous scenery, and I can’t find fault with the excellent acting of Michael Fassbender and Alicia Virkander.  It just felt a little flat to me.

Michael Fassbender plays Tom Sherbourne, a veteran of WWI who thinks spending months alone working on an island as the lighthouse keeper sounds wonderful.  He’s looking forward to peace and quiet.  Just before he leaves for the island of Janus, he meets the vivacious Isabel.  Isabel has lost both her brothers to the war, and there’s a quick reference to the lack of available men.

Tom and Isabel write to each other, and after knowing each other hardly at all, decide to get married.  The only way she could even visit the Island of Janus is as the wife of the lighthouse keeper.  I liked the romance portion at the beginning of the film.  Tom is reserved and numb from the war, and Isabel brings joy and life back to Tom.

the-light-between-oceansThey arrive at the island after their wedding at night, and her first time seeing the beautiful small stark island is the next morning.  I read a really cool way that the director, Derek Cianfrance, captured that initial wonder.  He blindfolded Alicia Virkander and so she didn’t see the island herself until she came out of the little house.  The awe and amazement at her surroundings is completely real.

Isabel suffers two miscarriages, made all the more difficult in that they are completely alone on the island when they happen.  The look on her face when she realizes she’s about to lose the second baby is really wrenching.

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Isabel is in deep depression, when Tom spots a boat off the island containing the dead body of a man, and a wailing infant.  Isabel convinces Tom to let them keep the baby, and present it to everyone on the mainland as their own.

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The melodrama comes when on a visit to the mainland, Tom comes across the mother of the baby.  He can’t live with himself that Rachel Weisz thinks her baby died with her husband.

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All the actors here were great.  Rachel Weisz plays the bereaved mother stricken with grief, and it was nice to see Australian actor Bryan Brown as her father.  Veteran Australian actor Jack Thompson also has a nice small role as Tom’s boss.

Michael  Fassbender and Alicia Virkander are two Oscar caliber actors who completely give their all to these parts.  The acting in this film is top notch, and the cinematography is gorgeous.  It’s that the plot is maybe too slight.  My friend called it an extended Hallmark card — although it did make her cry.  It’s based on a popular book, that I could see would make an excellent book group discussion book.  Would you go to live on an island where you’ll be alone with a husband you barely know?  Would you keep a baby that isn’t yours the way they did?  Who is a real mother — the biological mother, or the mother who has raised a child for 4 years?

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I loved the director, Derek Cianfrance‘s first film Blue Valentine with Ryan Gosling and Michelle Williams.  I haven’t seen his second film, also with Ryan Gosling, The Place Beyond the Pines, but he excels at wrenching dramas about characters that feel like real people.  I can’t put my finger exactly on why this melodrama, The Light Between Oceans, didn’t completely satisfy me.  And again, I wonder if it’s because I’m used to so much more story and wrenching emotions in the Indian melodramas I’ve been watching.  But, glancing at the Rotten Tomatoes score and top critics’ views on the film, I’m not alone in my dissatisfaction.

Still, I love both actors, and I loved seeing them literally fall in love on screen.  The couple are now together in real life.

Four stars out of five for the stellar acting and beautiful cinematography and score.

Alicia Virkander won the Oscar for The Danish Girl, but run, don’t walk, to see her in the excellent Sci-fi film Ex Machina.  Now THAT is a fantastic film.

Hell Or High Water – Finally a movie for adults

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This has been a long summer of disappointing super hero movies and so on.  Finally, in August, we get a movie for adults.  A nearly perfect movie, in fact.  Hell or High Water has a 98 rating on Rotten Tomatoes, and near universal acclaim from the top critics.  And with good reason.  From the very first moments, you’re sucked right in.

Chris Pine (Toby) and Ben Foster (Tanner) are brothers.  They rob a small bank in a beaten down little Texas town in the morning right as the bank is being opened.  But strangely, they only want the loose money in the drawer, and have no interest in bundled money or opening the main safe.

The brothers drive back to a farm and bury the car in a pit dug by a backhoe.  While the robbery seems amateurish, this is obviously carefully planned.  And they hit more small bank branches.  Tanner (Foster) is the more impulsive brother and we learn that he’s recently come out of prison.  Their mother has died, leaving the land to the two brothers.

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Jeff Bridges is Marcus Hamilton, a Texas Ranger about to retire.  His deputy is Alberto (Gil Birmingham), half Comanche and half of Mexican heritage.  Jeff Bridges was brilliant in this.  He’s old and crotchety, not looking forward to retirement at all.  The robbers aren’t stealing enough money to interest the FBI, but Marcus is intrigued with the puzzle of the multiple robberies, and takes his deputy on the road to track them down.

Bridges as Marcus constantly teases and torments his deputy Alberto as they’re driving and as they stay overnight in motels.  He reminded me so much of my elderly uncles from Oklahoma and Missouri.  Not malicious, but decidedly not politically correct, and not realizing when the racist “jokes” can really hurt deeply.  This is Alberto’s boss, and his long time friend, but Marcus can be a bit much to take at times.

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Ben Foster as Tanner is the wild card.  He makes some impulsive decisions that escalate matters considerably.  Chris Pine was so fantastic in this.  His pretty boy looks led to roles like Princess Diaries 2 and Prince Charming himself in Into The Woods (he was so good in that!).  But I think, at heart, like Brad Pitt, he really wants the character roles.

I won’t spoiler any more of the plan, but Chris Pine is playing a divorced father of two sons.  Bridges as the Texas Ranger figures the robberies are to get enough money for a particular goal.  He just can’t figure out for what.  There’s a fantastic scene where Pine and Bridges go head to head towards the end.

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Can’t recommend this film highly enough.  It’s a caper movie crossed with a Western.  Bridges, Foster and Pine at the top of their acting games.  I hope Jeff Bridges gets a supporting Oscar nomination for this one.  He’s that great.

Four and a half stars out of five.

Chris Pine also had a really interesting part in the post-apocalyptic movie Z for Zachariah with Margot Robbie and Chiwetel Ejiofor.  It was at Sundance last year, and it’s worth a watch. It’s included with Amazon Prime Video currently.

 

Suicide Squad – Well, Margot Robbie was good and Viola Davis is terrifying

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This has been such a disappointing summer for movies.  I’m not the only one to say  so, but add my voice to the chorus.  Too many sequels for the sake of sequels and the big money of international audiences.  Meeting release dates just because a franchise movie has to be in that slot.  Blech.

I had high hopes for Suicide Squad.  It looked irreverent and cool like Deadpool.  I’m not a comics reader so I have no idea what is canon or what the original origin stories are for these characters.  A team of bad guys turned into heroes?  Guardians of the Galaxy, anyone?

After all the missteps with all these enormous ensemble character movies, I have gained new depths of respect for Joss Whedon, James Gunn and J. J. Abrams.  It is damn hard to introduce us to a bunch of characters, give us their background, create chemistry between them all, and insert some witty cool banter.  Damn hard.  And if you try too hard to look cool and sound cool, you end up with something like Suicide Squad.

This movie is a mess.  It needed some more script polishing or something.  It’s just meh.  It’s not the worst movie I’ve ever seen, but it’s not good either.

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There are some bright points.  Margot Robbie for one.  She is fantastic as Harley Quinn.  I loved her.  She had great chemistry with Will Smith as Deadshot, who has charisma just standing there.

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I loved Swedish actor Joel Kinnaman in the TV series The Killing, and I’m glad to see him get movie work.  He was fine as Rick Flag.  (I guess he was the new Robocop, which I haven’t seen.)

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The rest of the ensemble did not impress me much, especially Jared Leto as the Joker.  What the heck?  He tried to be so method he sent used condoms to his co-stars and dead rats.  Exhibit A of trying too damn hard to be cool.  I think there was a reason he was on screen only about 7 minutes total.

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The best of the whole lot, though, and the exception to the rule is the always off the chain fantastic Viola Davis as Amanda Waller.  She can make chewing a steak dinner look terrifying.  She was such a sociopath in this!  It’s like she was in an entirely better movie in her head.

My son worked at a movie theater this summer, and he got me in free to a 3D show.  I would not recommend you pay money to see it in a theater.  Watch it on cable or rent as a timepass.

Two and a half stars out of five.

How To Tell You’re A Douchebag – Tahir Jetter’s Debut Feature out on iTunes today!

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“How To Tell You’re A Douchebag” Premiere during the 2016 Sundance Film Festival on January 25, 2016 in Park City, Utah.

Tahir Jetter’s first feature film How To Tell You’re A Douchebag is out on iTunes for rental and purchase today!  The film premiered last January at the Sundance Film Festival.

Full disclosure.  I met Tahir Jetter when he first came to Sundance in 2011 with his short film Close.  We were sitting next to each other at the midnight showing of Martha Marcy May  Marlene (man that movie is weird!).  We struck up a conversation that four years later led to us investing in Tahir’s debut feature film How To Tell You’re A Douchebag.  I’m biased, but for a very limited budget, I thought it was great.  Here’s a balanced review from The Guardian.

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Ray Livingston (Charles Brice) is a blogger (Occasionally Dating Black Women) and plays the field — dating multiple women at once. He confronts a woman on the street, and she gives him the dressing down of his life, calling him out as a douchebag.

His friend Jake (William Jackson Harper) tells him the woman he just accosted is none other than Rochelle Marseilles (DeWanda Wise), a   famous writer for Mahogany. Ray tries to apologize, but puts his foot in his mouth yet again as he blogs while drunk. But the sparks have been flying between the two. Rochelle agrees to go out with him, and they have a wonderful weekend together.

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Then Rochelle has brunch with her girlfriends and meets Yasmin (Jenna Williams), who had been dating Ray. Ray doesn’t understand when Rochelle doesn’t want to see him again — why didn’t she feel the magic he did?

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Charles Brice is fantastic as Ray — he’s a jerk, but a very charming one! Dewanda Wise is an arrogant and flawed Rochelle — she may seem to have her act together, but the relationship misfire is not all on Ray. The highlight of the film is the supporting players, Jenna Williams as Yasmin, Alexander Mulzac as Rochelle’s boyfriend Paul, and especially William Jackson Harper as Ray’s friend Jake.

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The film has its limitations because it was filmed on a shoestring budget.  Ray’s apartment is Tahir’s actual apartment, and they had a a tight shooting schedule.  But it’s still a very enjoyable romantic comedy, the kind of film that is simply rarely being made today.  More importantly it’s an African-American romantic comedy set in Brooklyn, something even rarer.

Tahir Jetter, the writer/director, did a fun interview at Sundance that talks about how he came up with the idea for the film and its somewhat autobiographical nature:

 

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I’m really excited to see William Jackson Harper who plays Ray’s best friend Jake in the upcoming NBC comedy The Good Place with Kristen Bell and Ted Danson.  He had some of the best comedic lines in How To Tell You’re A Douchebag, and he’s so funny in it!

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DeWanda Wise who plays Rochelle can be seen in the upcoming Fox drama series Shots Fired:

https://www.youtube.com/watch?v=FAHy6GvMPlY

Jason Bourne – an enjoyable timepass

 

bourne-new-promoI’m a huge Matt Damon fan.  Have been since Good Will Hunting.  I’ve seen all the Bourne films, and Jason Bourne is a decent sequel.  I even have a family connection to Jason Bourne — the character is supposed to have been born in Nixa, Missouri which is my dad’s hometown.

Matt Damon wouldn’t return to the franchise unless director Paul Greengrass also returned.  It’s just fun to see their partnership again.  The first film was so groundbreaking with the shaky handheld camera visceral action scenes.

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Evidently Jason Bourne has been earning a living doing illegal boxing matches.  No complaints here for the excuse for a shirtless scene.

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Julia Stiles is back, separated from the CIA and hacking into their files to help Bourne.  I appreciated that they introduced us to a new female cyber CIA expert played by Oscar winner Alica Virkander.  Virkander had an amazing 2015 with Ex Machina, which I loved, and The Danish Girl.  She should have won the Oscar for Ex Machina, but I’m just glad she won, becaue she’s fantastic.  So, happy for her that she gets to do a fun action movie, too.  Plus, she’s taking over as the next Lara Croft in 2018.

Bourne has two main enemies in the film, Tommy Lee Jones (he’s so craggy looking!) as the head of the CIA and the always great Vincent Cassel as the assassin out to get him.

There’s just not that much there to the plot.  Bourne is trying to find just a bit more about his past, and the CIA is convinced he’s out to get them.  The interesting little twist to the movie that updates it from the book is that there’s a tech company, a stand-in for Google or Facebook and Riz Ahmed plays the head of the company, secretly in cahoots with the CIA.  There’s discussion of Snowden, and privacy rights online.

The only quibble I have with Greengrass’s direction of the film is the constant shaky motion of the camera.  I love it in the action scenes.  It makes me feel like I’m right there feeling the impact.  But in some quieter scenes when Damon is looking at a computer or what have you, I want the camera to not be shaking around.  (Yes, I’m old.  Get off my lawn.)

It’s an enjoyable timepass of a movie, but my sons had zero interest in seeing it.  I have the nostalgia of the other movies, but they don’t.   It’s not a movie you have to run to catch in theaters.  Worth catching on cable or renting.

Three and a half stars out of five

Slow West – My favorite narrative film from the 2015 Sundance Film Festival

2015-05-11-1431344951-6115353-slowest3Slow West was my favorite narrative film of the 2015 Sundance Film Festival.  This past weekend there were two things that made me think back to this excellent film.  I was visiting with someone at a party who asked me about my favorite films at Sundance, and I read an old article in EW about Rogue One.

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I had no idea before I saw this picture that Ben Mendelsohn who was the villain in Slow West is the Empire evil general of Rogue One.

Ben Mendelsohn had two films at the 2015 Sundance.  Slow West and the not quite as good gambling drama Mississippi Grind with Ryan Reynolds.  I’ll never forget that he wore the huge bearskin coat from Slow West to the premiere.

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Slow West is a Western, the debut feature film of English director John Maclean.  It was filmed in New Zealand to stand in for the American West of the late 19th century.  The scenery is drop dead gorgeous.  (Seriously, if you ever have the opportunity, GO to New Zealand.  The mountain range near Queenstown is called The Incredibles for a reason.)

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Of course, the taciturn Michael Fassbender is perfect to play Silas, a loner bounty hunter in the old West, He has the presence to express much while saying nothing, like the perfect Western hero.

Kodi Smit-McPhee (who I saw in the futuristic set Western Young Ones at the 2014 Sundance fest) plays Jay, a young nobleman on the search for his lost love. He is fresh off the boat from Scotland, and Silas rescues him , and then offers his services as protector for a steep fee.

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The movie moves at a measured pace as they travel together, punctuated with startling action scenes — all the more startling coming suddenly out of the slow quiet we have been lulled into.  I really liked the relationship that develops between the green romantic Jay and the reserved jaded Silas.

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Along their journey, they run into the gang of another bounty hunter, played by Ben Mendelsohn in an outrageous big bearskin coat,. (The actor wore the very coat to the premiere). We find out that there is a huge bounty on the girl that Jay is infatuated with, and her father, and there are many bounty hunters looking for the pair. Silas is among them, although he hides that fact from young Jay.

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What I loved about Slow West is how it took the audience expectations of what happens in the Western genre, and turned them on their head. The final climax shoot out scene, which we all see coming, goes nothing like what I expected, and I loved the movie for it. I won’t spoil it by listing in detail what surprised me, but I especially loved that Rose (the object of Jay’s infatuation) was quite simply kick ass and no damsel in distress.  Rose is played by Caren Pistorius, who will appear again with Fassbender later this year in The Light Between Oceans.

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While you could complain that Slow West was too slow in parts, I felt like it just added to the impact of the action scenes and the New Zealand scenery was gorgeously shot. It’s hard to believe that this is the debut feature of director/writer John Maclean. It well deserved the World Cinema Dramatic Jury prize it won at Sundance.  I’m a huge Michael Fassbender fan, and this is one of my all time favorite Fassbender films, and he’s been in so many good ones.

Slow West is available now for rental on Amazon Video (it’s free with Amazon Prime) and on Google Play.

Five stars out of five.