Several commenters on my reaction to the trailer of Allu Arjun’s new film DJ told me I should watch Arya 2 and Arya.




Several commenters on my reaction to the trailer of Allu Arjun’s new film DJ told me I should watch Arya 2 and Arya.




For Bollyfools, I watched a few of the new Regional trailers, which unfortunately have no subtitles! Super frustrating.
I have only seen Allu Arjun in Rudhramadevi and he was amazing in that, even though he was not the lead. I watched both the Rom Com feeling teaser, and then the full trailer, neither of which have subs. Anyone that speaks Telugu, help me out as to what’s going on. Is it a double role? The action looks cool, and even though I’m not a Pooja Hegde (ugh, Mohenjo Daro) fan, the rom com aspect looks adorable.
Dhanush has VIP 2 which will also have KAJOL!! So excited to see her in a new film. I don’t speak Tamil, and I’ve not seen VIP 1, so I have no idea what’s going on in this trailer. That ending flying kick looks super cool. Any translation help would be most appreciated!
Kartik from Bollyfools translated Rana’s new teaser for me. The title means I am the King and I am the Minister. Rana will be opposite Kajal for the first time, and I’m really excited to see that. When he’s on the scaffolding with the noose, Rana says, “I will decide when I die, and I will decide when you die!” I love that shot with him as the prisoner about a foot taller than all the guards behind him.
I’ve never really reacted to a teaser trailer before, but I am super excited about this one for Mahesh Babu’s Spyder, due out in September. I went on a binge of Mahesh Babu films last year, and unfortunately, the first film of his I saw in the theater was Brahmotsavam, which was a confusing mess. Spyder is directed by the Murugadoss who gave us Aamir Khan’s Ghajini, which is a masterpiece. Crossing my fingers that he gives Mahesh as great a movie. September seems very far away!!
Rarandoi Veduka Chudham (Come, Let’s Watch the Spectacle) is an enjoyable family drama starring Naga Chaitanya and Rakul Preet Singh. This I believe is their first film together, and the first time I’ve seen Rakul in a film.
This film is put out by Naga Chaitanya’s family banner, and he did well in the film, but frankly, I enjoyed his 2016 films Premam and Sahasam Swasaga Saagipo much more. The first half of this film is slow, but it’s saved by the last hour or so of the film when the conflict comes to a head.
I also enjoyed seeing Jagapathi Babu again as Naga’s father. He was Mahesh Babu’s father in Srimanthadu.

Kartik of BollyFools was seeing the IMAX showing right after mine so he asked if I would do a short video review after seeing the very first showtime of Bahubali 2 in the US. Salim of BollyFools then edited it down to this video they posted on the BollyFools Youtube channel. Thanks for the opportunity!
With a sequel, especially one this anticipated, there is that fear that it just cannot live up to the first movie, or the hype. I am here to tell you, after having just spent $40 to see the very first IMAX show of the day, that it satisfies. It completely satisfies. Rajamouli has done it again!! It was absolutely glorious to see it on the huge IMAX screen. Totally worth the money to me. Kartik from Bollyfools Youtube Channel interviewed me moments after I came out of the screening:

Everyone has spent two long years wondering #WKKB – Why Kattappa Killed Bahubali. The first film left us with possibly the biggest mystery cliffhanger of all time. I’m not going to spoiler the movie for you. You need to experience it all for yourself.
I just loved how the movie circled back to the beginning in lots of ways — thematically and visually. You’ll know what I mean when you see it.

I loved being in a first day crowd that was whistling and yelling for the big entrances. Prabhas is AMAZING! One thing I really loved about the film is that it had some wonderful moments of humor. After I saw Bahubali the Beginning, I sought out Prabhas’s other films, and in his rom coms especially he has such a mischievous sense of humor and play in his wooing. And Rajamouli let him show that side. Kattappa as matchmaker is just a delight.
Rana as Bhalladeva turns SO evil. Shockingly so in some parts. Great performance as the villain, and the final epic battle between Shivuvu and Bhalla at the end of the film is everything you could hope for in a mano a mano fight. Really thrilling.
Anushka Shetty really shines as the proud warrior princess. She does have flaws — I liked that she wasn’t just a perfect doll. Unfortunately, Tamannah is only really seen in the final battle sequence. This movie is more about the love story of Shivuvu’s parents.
There are great battle scenes, too, but much of the movie, which almost till the end takes place in the time of Bahubali the elder, is about the family drama. What leads to Bahubali’s death? Why did Bhalla chain Devasena in the courtyard? Who put that arrow in Sivagami’s back? All the answers are very satisfying. You can guess where the story is mostly going to go, just from the first film, but there are still some surprises along the way. Pride goest before a fall, is all I’ll say.

Someone asked me if I like this better than the first film, and I can’t really answer that. Because you can’t get back that feeling of wonderment the first time you saw the imagination and visuals of Bahubali. Now you expect Rajamouli to blow you away. There was one love song that literally went into a flight of fantasy that had me saying “Wow” out loud.
The score is particularly effective in heightening moments of tension and drama. I don’t know that the soundtrack songs are quite as catchy earworms that the first film songs were. But especially the beautiful harmonies of the female voices singing together in this one are growing on me:
I saw Bahubali the Beginning four times in the theater alone. I don’t know how many times I’ll see this one, but I know I’m taking all three of my sons to see it for Mother’s Day. I’ve told them this is what I want for my present — for us to see it together. That will make the second Indian film they’ve ever seen, but the first in a theater. I loved that at my 2:30 shows there were parents who had taken their kids out of school early to see the show. I told one little boy that someone must love him very much.

There are scenes and tableaus from this film that will always stay with me, but one in particular is Prabhas sleeping with his head in Sivagami’s lap. Since I don’t speak Telugu, I didn’t realize some of the songs lyrics talk about that. This film does have a romance and brother rivalry, but at the core it’s about the relationship of a son with his mother.
This is such a great film! I left ecstatic and wishing I could see it all again right away. There’s revenge that’s sweet, and redemption, too.
Bravo S. S. Rajamouli! Bravo Prabhas and the rest of the cast! You’ve done it again!

A LOT! That’s how much I Love Bahubali. (Is it Baahubali or Bahubali??) It is one of my favorite films of all time, not just of Indian films.
My next door neighbor Nish two years ago asked if I’d want to go to this South Indian film her coworkers had said was really good. Sure. I’m in. Then we go and the price was $20! Twice the normal movie ticket price. “This better be worth 20 bucks!”
Oh. My. Gosh. It SO was. I unabashedly fell in love with the film, and I ended up seeing it 4 times in the theater alone. I can’t even count how many times I’ve seen the film since it became available on Youtube. I own the Hindi dub on Blu-ray, but I can’t really stand to watch it without my beloved Prabhas’ own voice. (For the love of all that is holy Rajamouli, make the Telugu available on Blu-Ray!!)

This image was my Ipad lock screen for two years, until I replaced it with a new image from Bahubali 2. I fell in love with Prabhas from this movie, and now own several of his films on DVD.

I was captivated, jaw hanging open from the opening sequence with that huge waterfall and the kick-ass queen fighting two soldiers with an arrow sticking out of her back — while holding a newborn!
The visuals in this film just knocked my socks off. I don’t know how many times I watched the Dhivara video! I explain this film to people who don’t watch Indian film as The Lord of the Rings of Indian Cinema. It’s mythic and grand in scale with fantastic CGI world building. S. S. Rajamouli is quite simply a genius filmmaker. He has a huge vision, and he’s one up on Peter Jackson because he wrote the damn story himself, instead of just adapting a series of books.
After I saw Bahubali, I sought out Rajamouli’s other films, and I was even more gobsmacked. Who else but the master, S. S. Rajamouli would reincarnate his hero as a FLY?
Even his early film Chatrapathi with Prabhas showed crazy imagination. Prabhas introduction scene has him fighting a SHARK!
https://www.youtube.com/watch?v=CLidvr5aoOE
Bahubali has amazingly compelling characters. Prabhas even gets to play two! Shivu and his father Bahubali in the flashback second half. My personal favorite is the queen Sivagami, who raises both her own son Bhalla and Bhahubali:

This scene after she squashes a rebellion, knifes an attacker while holding a newborn (!!) and then nurses both infants after mounting the throne is my favorite! I love her!
Rajamouli has made a film with strong women characters even though the main thrust of the narrative is Prabhas’s story, both as Shivu and Bahubali. Yes, there is that problematic scene that some call a rape, but my first take was the same as Margaret of Don’t Call It Bollywood’s. Tamannah’s warrior is living a harsh life devoid of beauty and joy, and Shivu delights in showing her beauty and love. And that sexy nibble of her jewelry on her belly gets me every. single. time.
I love all the music of the original Bahubali film, and tortured my family by listening to the soundtrack non-stop for weeks and watching the videos over and over. Especially Manohari.
The film does have a few flaws. For my birthday last summer, I sat down my two younger sons and had them watch the film with me -the only Indian film they’ve ever seen. (Mother’s Day this year will be all three of my sons going to the theater to see Bahubali 2. I’ve warned them this is my present!) My son Zach really liked the Avantika character, but then was upset that she just gets that hurt ankle, and as he put it, “Then, nothing!” I’m holding out some hope she will have a strong part in the Bahubali 2, but the trailer seems to mostly emphasize the romance with Anushka from Bahuabli’s past.

And then there’s the racism. Really, Rajamouli? Actual blackface on the villain Kalakeya tribe? Ugh.
The battle scene in the second half also goes on for a very, very long time. Yes, it’s super cool, but frankly, I’m more interested in these characters than watching Gladiator movie style battles go on and on.
Watching Bahubali set me on a journey of watching more Telugu films, starting first with the older films of Prabhas and Rajamouli. I’ve learned about comedy uncles, and machete fight ratings, and on. I kind of like all the violence and the machismo and larger than life Telugu star heroes. The comedy uncles I could mostly do without, to be honest.
I even dragged Margaret of Don’t Call It Bollywood to her first showing of Bahubali (No, you HAVE to see this one!) and then she surpassed me by seeing it what, SEVEN times in the theater alone?
The first Bahubali movie was such a phenomenon. All over India, and all over the world. It’s been a long wait, but tomorrow I will finally learn #WKKB – Why Kattappa Killed Bahubali! I have my $40 IMAX ticket purchased already to the first day, first matinee show of Bahubali 2 at my local theater. I am beyond excited that it is releasing on IMAX!

Serendipity smiled down on me. I’ve been so busy with holiday nonsense that I haven’t had time to watch movies much the last few weeks.

But there are a few scenes that are just pure magic! The awkwardness and how young they look fit with the characters. Poor Chaitanya has got acne, and Samantha is so baby-faced!
Thanks to this film, I now have maybe my all time favorite line in an Indian movie. When the two lead characters meet in Central Park in NYC, they hug and then the guy says, “This is America! I can kiss you in the middle of the road!” And he does, repeatedly.
One of my followers suggested I try to catch Sahasam Swasaga Sagipo (Live Adventurously) with Naga Chaitanya in theaters this week, after he read my Premam review. I’m so thankful T.J. told me about it before it was gone! It’s the start of the hectic holiday season here, and I did not even realize Naga had a new film in theaters. I caught the ONE showtime it played today, and it was pretty darn good. Guarav Menon filmed it concurrently in Tamil with another lead actor, but the same lead actress.
I LOVE the film allusions right in the dialogue itself. First there’s a title card that says “Inspired by a scene in The Godfather“. It has been a loooooong time since I saw The Godfather, so I had to look it up when I got home. It was the hospital scene. That is key to the action second half.
Another interesting thing is that the hero’s name is never revealed until the very end of the film, and it has a dramatic punch when it is revealed — And a touch of humor to it. The heroine doesn’t even know his name until almost the end. She jokingly puts his number in her phone under “Unknown”.


There’s a prologue where we see a man and woman attacked in their home, and then we see our hero beat up 6 guys who had been harassing his sister. “Stalking like that is so 80’s!”
He sees them approach backlit and there’s overlay voiceover that had me chuckling.
“Four men suddenly appeared approaching me like in a Mani Ratnam film so I knew I was in trouble.” LOL! He dispatches them easily and comments on how it was his first taste of violence.
Then the friend of his sister, Leela, moves into their family house for a few weeks, and they shyly say not much more than “Hi” to each other for awhile, and then gradually, sweetly become friends. Naga finished with school and wants to travel before settling down, and plots to hit the road on his motorcycle with a friend “His girlfriend probably won’t let him go.”
Leela unexpectedly shows up when he’s leaving and asks to go with him. I LOVED this. That she asks to just be one of the guys and share the adventure, not be his girlfriend/lover right away. They have a wonderful trip to Kanyakumari, the southern most tip of Tamil Nadu to see the sunrise. It was spectacular scenery of a place I’d never seen before.
There is a really exceptional “I’m a good decent boy” moment in the romance. For money’s sake, they book a hotel room in Kanyakumari with two twin beds. When it’s her turn to shower, he offers to leave the hotel room so she’ll be more comfortable.
THEN the whole movie turns on a dime into a thriller. They should part, as she is due home in Maharashtra, and he offers to take her all the way home. Their trip has been a secret from everyone. Neither family knows they are together.
There’s a road accident, and then The Godfather moment comes. It was her parents that were attacked in the beginning, and our hero rises to the occasion to protect Leela and her family. The cops are corrupt, and there’s one particular bad cop that is their nemesis. The action is pretty gripping and I didn’t know what was going to happen from one scene to the next. Not quite the unbearable tension of Kali, but pretty darn good.
The final resolution ending is SO satisfying as only South Indian films can be. They’re so violent, but there’s just a YEAH!! moment when the villain is vanquished and the hero is triumphant.
The lead actress, Manjima Mohan, was okay, but I am continually impressed by our boy Akkineni Naga Chaitanya. Innocent romance he excels at, and he was very, very convincing as an everyman who rises to the occasion in the action sequences. He was very good in the fight scenes. I think the cinematographer was non-Indian, maybe from Hollywood because it was more of a Hollywood close camera work kind of style in the fist fights.
The music is A R Rahman which is always good, but it didn’t blow me away like Mental Manadhil from O K Kanmani. I did really like this haunting love song which in the film is intercut with the road accident, which was a really interesting editing choice. This slow passionate song –
So, T.J. thank YOU for giving me another reason to be thankful this week of American Thanksgiving!
On a shallow note, I was also thankful that Menon gave us a few Naga shirtless scenes (he’s been working out!) and this particular shot. 😉


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