Laaga Chunari Mein Daag – There’s nothing like a good cry

screen-shot-2012-02-02-at-10-53-07-pm-1Laaga Chunari Mein Daag [My Veil is Stained] is an old fashioned type of melodrama, and I ate it up with a spoon.  I hadn’t had a good cry watching a movie in quite awhile, and there’s nothing I love more than Ranishek.  There’s something about their jodi that I just adore.  I don’t know if it’s how tiny she is, and how tall he is, and how he looms over her protectively.  Abhishek Bachchan is just swoony paired with Rani Mukerji, and especially so in this film.

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This film also passes the Bechdel test spectacularly.  Rani plays the older of two sisters who grow up in Benares on the banks of the Ganges.  They live in a big ramshackle old house with a father who is too ill to work (Anupam Kher) and a mother who’s struggling to keep the family afloat financially (Jaya Bachchan).  Konkona Sen Sharma is Chutki and is still in school, whil Rani Mukerji as Badki realizes she needs to find work to take the pressure off her mother.

screen-shot-2012-02-02-at-3-56-49-pm Rani goes to Mumbai, and since she had not finished school and cannot speak English, she has trouble finding, and keeping any job.  When her father is hospitalized and she calls home, Jaya in exasperation quarrels with her on the phone and tells her she can’t come home.  In desperate straits, she becomes a high class escort with the name Natasha.

Okay, this part was a bit far-fetched as while she is duped into losing her virginity, she somehow easily becomes a high-fashion wearing high class escort with the help of a friend.  She sends money home to her family to pay for her father’s medicine as well as to put her sister through college.

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She is the mistress of an executive who makes her an “event planner” or some made up position and travels to Zurich with him on a conference.  That’s where she meets Rohan, an attorney, and they have a magical day together.

Away from her normal life as a courtesan, she can imagine that she’s just a girl on a date, but reality calls her back.

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Her sister surprises her by just showing up at her apartment as she has a new job in Mumbai after completing her MBA.  Konkona has her own romantic storyline with the creative director at her office played by Kunal Kapoor.  (I do love Kunal and Konkona together.  They were great in Aaja Nachle, too.)  Rani has done everything she can to hide her true profession, but her sister’s wedding brings everything to a head.  Jaya, her mother doesn’t want her to come home as people will talk.

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What I loved was that when Rani’s sister learns the truth, she realizes the sacrifices she made on the family’s behalf.  She doesn’t judge Rani at all, and insists she come home for the wedding.  And that’s when Rani finally gets her happy ending with Abhishek.  It’s so wonderful, because she’s so afraid what he would think if he knew, but he knew all along and loved her anyway.  The tears started when Rani’s sister accepted her, and just poured down my cheeks in the final scenes.

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There’s also a fantastic cameo in the film by Hema Malini who plays a famous courtesan in Benares.

Yes, it’s a big melodrama, but it’s a Yash Raj Aditya Chopra produced melodrama so I loved it.  And Ranishek.  You just can’t beat swoony Ranishek.

Four stars out of five.

Song of the Day – Ae Dil Hai Mushkil

Cannot stop listening to this song!  The minute the teaser trailer came out the song just transported me, and I wanted the whole thing NOW.  It’s out on Saavn.com and iTunes today, thank God.

I can only imagine how mind blowing the rest of the soundtrack will be.  Can’t count how many times I’ve seen the teaser trailer since midnight last night (when it was released, Chicago time).  October 28 is a long time to wait, and Shivaay comes out the same time!

Happy Bhag Jayegi – just a nice enjoyable comedy movie

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When I saw the trailer for Happy Bhag Jayegi [Happy Will Run], I was so excited.  It looked funny, and most importantly had Jimmy Shergill as the heavy, and Abhay Deol looking bemused.  The reviews have not been stellar, but I’m here to tell you it’s a fun little over two hour romantic farce.  And who doesn’t want to spend two hours with Abhay and Jimmy?

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I really admire what Jimmy Shergill is doing with his career.  He’s taking the supporting villainish (but not too villainish) character roles now in this and in movies like Tanu Weds Manu 2, as well as supporting roles in action films.  Because he’s Jimmy Shergill, he’s the bad guy here, but he’s still so charming you almost feel sorry for him that his bride ran away.

Happy (Diana Penty) is a spitfire.  Her father has arranged her marriage to politician Jimmy Shergill, also the head of the local goon gang.  While Jimmy dances (badly!) at their engagement, Happy jumps out the bathroom window into a waiting truck.  Trouble is, it wasn’t the truck her boyfriend had arranged.

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She pops out of a box in the home of Abhay — son of the ex-Governor in Lahore, Pakistan.  Abhay’s father is played by the always great Pakistani actor Javed Sheikh.  Bollywood audiences know him  as SRK’s father in Om Shanti Om, but I loved him as Fawad Khan’s father in the Pakistani soap Zindagi Gulzar Hai.

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Abhay just wants to play cricket, but his father has great political aspirations for him.  They’d been in Amritsar on a diplomatic mission, and the truck is full of diplomatic gifts!

Happy is stuck in Lahore, without the fiance she really wants to marry, and poses a problem because she has no passport or visa?  And Abhay is of course engaged as well, so how to explain a strange girl in his house?

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The whole thing is a lighter than air farce.  Even when Happy gets kidnapped at one point, you know she’s really in no danger, as the goons are scared of our feisty heroine.  Happy’s intended Guddu (Ali Fazal) is a rather feckless musician.  It’s no wonder her father had doubts about him!  Abhay has to figure out a way to get Guddu into Lahore, get them married and then deport them!  All while keeping Jimmy Shergill at bay.

What I liked about this movie is that the Pakistanis are all nice people.  They are not the bad guys at all!  I can’t for the life of me understand how this movie could be banned in Pakistan, because it’s so positive about Pakistan!  The misunderstandings between the two countries are presented in a humorous way, and barriers between people broken down.  The director wrote an open letter to Pakistan, and the official who banned it, because he doesn’t get it either!

The women in the movie are strong, both Happy and Abhay’s fiance Zoya (Momal Sheikh).  They make the men in their lives rise to the occasion.

It was a very pleasant way to spend a little over two hours, and I laughed out loud at quite a few points.  Abhay, it’s great to have you back.  I’ve missed you.

Looking up Ali Fazal, I don’t remember him at all from 3 Idiots, but he’s set to play Abdul in Stephen Frears’ Victoria and Adbul opposite Judi Dench!  I wasn’t super impressed with you in this trifle, but go you!

Three and a half out of five stars.

Margaret of Don’t Call It Bollywood and I saw it together.  Read her spoiler free review here.

Aiyyaa – How can a movie be so sublime and so awful all at the same time

I love Rani Mukherji so Aiyyaa was on my watchlist, but it moved right up to the top after I saw this video:

I have only seen a few Prithviraj films, and my impression was of a very good serious actor in Ennu Ninte Moideen, Classmates and Mumbai Police or even Aurangzeb.  But I hadn’t seen him like this:

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Holy moly.  (Is it getting hot in here?)

Aiyyaa means Oh, My!  Aiyyaa was a comeback film for Rani, but was Prithviraj’s Bollywood Debut.  (He made Aurangzeb around the same time.)  The film was produced by Anurag Kashyap and was directed by Sachin Kundalkar.

Rani is Menaskshi, a young woman who loves zany Bollywood films, the more over the top the better.  The songs in Aiyyaa are her fantasies.  She imagines herself at the beginning as Madhuri, Juhi and Sridevi.  Her parents want to arrange her marriage, but first she gets a job at the local art college.

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She is struck speechless by the appearance of art student Surya, and is entranced by his smell.  (The director Sachin Kundalkar, had done a previous Marathi film about the senses.)  She asks around to learn more about her crush Surya.  He always has red eyes so the rumor is that he’s on drugs or spends all his nights drinking.  He barely ever speaks to Rani, and is very mysterious and standoffish.  She finds him sleeping in doorways and hallways.  She knows he speaks Tamil to the chaiwallah boy, who she bribes to teach her to speak Tamil.  “How do I say I like dark skin people, not fair skin?”  The chaiwallah recommends she watch the Tamil Midnight Masala TV channel.

Rani dreams she’s in a Southern Masala film, and we get this insane number that made me just laugh in delight:

As Prithviraj said in an interview — it’s Bollywood’s crazy view of Southern films.  What I absolutely love about this song sequence is that I’ve never before seen Prithviraj so silly, and you can just see him going for it with gusto.

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He just has this crazy grin through the whole song.  They rhyme humping and thumping, and he bobs his head following her waist gyrations.  Prithviraj’s having his own fun spoofing regional song sequences.  Having seen several South Indian films, I felt like I was in on the joke.

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Rani’s eccentric family have placed a matrimonial ad and she grits her teeth through meetings with several suitors.  One very nice average guy she reluctantly agrees to see again.  He’s kind and sweet, but he just doesn’t float her boat like Surya – who seemingly doesn’t even know she exists.  While shopping for wedding saris, she has the lustful Aga Bai fantasy song from the top of the review.

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I wouldn’t have minded if Surya had just been a fantasy and she ended up with the nice average Maadhav (Subodh Bhave).  On the day of her engagement, she escapes the house and follows Surya.  Finally she discovers the source of his intoxicating scent, and they connect.  The romance is just so swoon worthy.  It’s sublime.

But unfortunately, Prithviraj, Subodh and Rani aren’t the only people in the film.  Rani’s family is at first amusingly eccentric.  In the first half, it’s not so bad, but her brother character especially in the second half just goes off into crazyland.  The very worst character is her co-worker Maina, who has big buck teeth and comes to work with vodka in a bear shaped water bottle.  She’s not only un-funny, she’s just blatantly offensive.  The writer-director was going for zany, and he veered too far on the wacky spectrum.  You know it’s bad when Johnny Lever would have brought subtlety to this film. If this film instead had had the comedic tone of something like Dum Laga Ke Haisha it would have been perfect.   It was just so uneven lurching between the extreme awful comedy and then the swooniness of the romance.

I loved the romance bits of this film so much I have rewatched it already, but I fast-forwarded through all the family scenes and the Maina bits.  Rani in her fantasies in Aiyyaa reminded me a bit of Amelie, that magical realism French film:

 

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So dear reader, I have trouble whole-heartedly recommending this film.  The film has a great message about cross-cultural romance and even with a male director is interested in the female gaze and point of view.  If you’re a big fan of Rani like I am, you’ll agree that she was fantastic as Meenakshi.  If you love Prithviraj as I am beginning to, you’ll love seeing him be almost Mr. Darcy like, and also having zany fun being a sex symbol.  If you can stand to watch not so great films for the transcendent good parts, just do yourself a favor and keep your finger on the fast-forward button.

Three stars out of five.  Aiyyaa is available on ErosNow, which is where I watched it.

 

Mohenjo Daro – a somewhat enjoyable hot mess

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Nearly two years is a long time to wait between Hrithik Roshan movies.  My neighbor and I didn’t care what the reviews said, or the mocking of her husband.  We were bound and determined to spend two and half hours with Hrithik.

My neighbor had no idea who the director was, but expectations naturally run high when Ashutosh Gowariker, whose works include Lagaan, Jodhaa Akbar and Swades returns to the helm after a six year absence.

And therein lies the rub.  The reviews have been harsh, because we expect so much, both from Gowariker and Hrithik.  This film was a swing for the rafters and a big miss.  The trepidation started with the trailer.  That fight with the crocodile looked fake, and the story didn’t seem very compelling.

Annnd, my fears were born out.  I think it was good that I had read a few reviews, and watched Anupama Chopra’s disappointed savaging.  I went last night knowing it would be a hot mess, and just went along for the ride.

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Hrithik’s costumes I liked, but the headresses of Pooja Hegde were absolutely ridiculous and distracting.  It’s classic poor farmer comes to the city and falls in love with the beautiful girl from the rich side of town – with a bit of Aladdin thrown in (I kept humming “Riff Raff, Street rat“)

Pooja as the high priest’s daughter is pretty enough but she doesn’t have much sparkle to her.  I kept thinking how much personality a Deepika or a Priyanka would have brought to this role.  Pooja is fine, but she’s not enough to carry this film, when there’s so many other issues with it.

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At the very end they show this famous dancing girl artifact from Mohenjo Daro tumbling in the water, and just look at the attitude of that young girl.  This is the girl I wish the movie had been about.  I want to know about her story – she has so much personality and moxie frozen in metal.

Hrithik gives over 100% in any role he takes on.  His dancing is graceful in Mohenjo Daro even if it’s absolutely ridiculous that he would be disguised by a bit of red eye makeup and a horn on his head.  His dance with Pooja in Tu Hai was my favorite of the film.  The rest of A. R. Rahman’s soundtrack didn’t send me, but I love this song.

 

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Hrithik’s very good in the action sequences, especially in this athletic battle against two cannibals.  (What is it with Indian movies and the dreaded cannibal warriors?)  Hrithik’s intensity is often expressed in just shaking with rage.  Literally shaking.  It gets to be a bit much, to be honest.

The main flaw in the film is not Hrithik over doing it, or Pooja under doing her performance.  It’s the story.  It’s just not enough somehow.  The script needed more work.

Kabir Bedi is a reliable villain, even if he’s getting a bit long in the tooth to be thrown around.  Arunoday Singh plays his son, Moonja, who’s betrothed to the young priestess.  Poor Arunoday just has that kind of face that looks like a slightly stupid villain, like he did in Main Tera Hero.

The very last part of the film is a big pretty unbelievable action sequence rescuing the city inhabitants from a dam breaking.  My neighbor informed me that excavations have shown that Mohenjo Daro was destroyed by water.  Maybe the film would have had more excitement to it if it had been more of a disaster movie than a pseudo political drama of an ancient city.

Mohenjo Daro is a bit of a hot mess, but it had some enjoyable moments.  It’s just not very good, and with Ashutosh Gowariker‘s pedigree, that’s really very disappointing.  And after Baahubali, the special effects in this Indian epic don’t measure up.

Two and a half stars out of five.

Student of the Year – A look back ahead of the Dream Team concert

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I woke up to this @KaranJohar tweet this morning:

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And my reaction was just like this one I saw on Tumblr:

“student of the year 2!!!”

“…starring tiger shroff”

I have yet to see a Tiger Shroff movie (and I hear I’m not missing much).  But he is a good dancer:

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I looked back at my original Student of the Year review, and it’s quite the time capsule.  I wasn’t into Indian cinema when it came out in 2012.  I saw it in November of 2014, and it was my first introduction to Alia Bhatt, Siddarth Malhotra and Varun Dhawan.  (Whatever happened to that Fault In Our Stars remake?)

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It was curiosity about Varun Dhawan, who has been cast as a lead in the Bollywood remake of Fault in Our Stars (with Deepika), that led me to check out this Karan Johar film. SOTY is set at a junior college where the gay dean (Rishi Kapoor) has an annual contest for, you guessed it, the Student of the Year to win a scholarship to an international college. And this contest is not just academic, there is a triathlon, a scavenger hunt AND a dance contest. The film begins with the group of former students gathering at the hospital bedside of the dying dean, and then flashes back 10 years in the past.

Evidently, it was quite notable that Karan Johar debuted several young actors and actresses in this film, rather than matching one unknown with an established actor/actress. Of the students, only the college vamp is played by a familiar face, Sana Saeed albeit when she was a child actress in Kuch Kuch Hota Hai as little Anjuli.

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This film reminds me of John Hughes films of the 80’s with the rich kids pitted against the scholarship kids from the Indian equivalent to the wrong side of the tracks. Or Gossip Girl or The O.C., etc. Karan Johar is just SO good at setting up melodramatic love triangles. Varun is the rich kid and Sidharth Molhotra the scholarship kid, and Alia Bhatt plays the rich girl that they both love. I had not seen any films with these three young new actors, and while all are good, Sidharth Molhotra’s performance is the standout. (Seems like all the Indian awards agreed, nominating him for best male debut.) Very Ben MacKenzie (a la O.C.) silently pining over the rich girl while trying to act all tough.

 

Also notable was a supporting role by Kayoze Irani who gets a big “Go to Hell Dean” speech near the end, who it turns out is Boman Irani’s son. Huh, fancy that, a child of a Bollywood star getting a role in a KJo film. 😉 Boman, Kajol and Farah Khan all have cameo appearances.

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Fairly predicable plot with the Bollywood emphasis more on the bromance of the two male leads than on the romance of Sidharth and Alia’s characters.  Karan Johar is masterful at taking you on that emotional journey, and I tip my hat to him.  Very entertaining and enjoyable.

I gave the film three and a half stars back then, out of five.

What’s fascinating to me is how I wasn’t that impressed with Varun and Alia, and they have gone on to mature so much more over the subsequent years in film.  Alia blew me away in Highway and in Udta Punjab.  Varun just was off the chain in Badlapur and fantastic in Humpty Sharma Ki Dulhania and Main Tera Hero.  We got a hint of Varun’s great dancing in SOTY, but he was so good in ABCD2, and worth watching even if the plot wasn’t.  Siddarth tried to do more dramatic work, in Brothers, and Kapoor and Sons, but he just doesn’t seem to have the chops of the other two.  But that’s okay – he’s carved out a niche as the strong silent type in romantic movies like Hasee Toh Phasee and the upcoming Baar Baar Dekho.

Thank you Karan, for giving us all three young new stars.  And for this.  Always for this:

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AND for SOTY’s fantastic soundtrack!  Can’t wait to see these three stars and the rest of the Dream Team this Friday perform live in Chicago!

Wake Up Sid – Slacker Ranbir Coming of Age

wake-up-sid-12hI liked Wake Up Sid more than I thought I would.  To be honest, the story is a bit too close to home, as my son has graduated college and is trying to find his way in the world.

Ranbir Kapoor is Sid.  He’s a rich Bombay kid who flunks his college finals.  Anupam Kher is his father (who else!) and tells him he has to go to work in the family plumbing fixture business.  When he walks out, Sid and his father have a huge fight and he is kicked out of his family home, his credit cards canceled.

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Sid can’t think of anywhere to go than to the apartment of his new friend Aisha ((Konkona Sen Sharma).  I think Aisha was supposed to be 27 and Ranbir much younger as he was supposed to be a college graduate (maybe 23?).  Anyway, it’s unusual to have the woman be older in any Bollywood relationship so brownie points for that.  Aisha is new to Bombay and starting a new job and an independent life.

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Sid learns all the real life skills that he has had no clue about in his sheltered life, like laundry, fixing up an apartment and cooking an egg.  Sid has a passion for photography and ends up getting a job at the magazine where Aisha works.

It sounds trite, but the script is actually pretty clever.  This is the debut feature film of director Ayan Mukerji who also wrote the story of the film.  He won the Filmfare best debut director deservedly.  Wake Up Sid was quite the success, and his second feature is the mega-hit Yeh Jawaani Hai Deewani.  His films both have characters and situations that while filmi, still feel grounded in reality, aa specific young urban reality.   (I’m a little leery that his next project is reported to be a superhero film, also starring his muse Ranbir Kapoor, Dragon.)

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The romance evolves organically.  They’re just friends at first and sleep on separate pallets in the same room.  Aisha tries not to fall in love, because Sid is at first such a mess and so purposeless.  But this is charming Ranbir after all, she has no chance.  Once he reconciles with his parents upon getting his first magazine job paycheck, he moves out, and that’s what makes both of them realize how their feelings have changed.

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Fortunately, the film doesn’t just focus on Sid and his travails.  Aisha gets her own storyline with an almost romance with her sophisticated jazz-loving boss.  It was nice, frankly, to see Konkona Sen Sharma get a juicy big part like this in a romantic film.

My feelings about this film are just tinged by the fact that I’m living this right now with my own son.  So it’s not exactly escapist fare for this mom.  Sid only took about a month to wake up.  Sometimes the process is longer.

Still, I think the director is fantastic, and I look forward to all his future projects, even if he makes Ranbir a superhero (gulp!)

Four stars out of five.

 

 

Kabhi Alvida Naa Kehna – 10 Year anniversary appreciation

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I actually like Kabhi Alvida Naa Kehna, although I know it is not most people’s favorite Karan Johar movie.  It’s certainly not my favorite Shahrukh Khan film, but it does have some great moments for me.  Today is the 10 year anniversary of KANK’s release date.

While it is about mature adults, and not young lovers,  the subject of adultery is not one that everyone wants to watch in a film.  I do love the music, too.  I really like seeing how Karan played homage to Silsila especially in this song sequence.  He copies the exact poses of Rekha and Amitabh.

But what I really take from KANK, is the gay subtext.  It may have also been about Rani Mukherjee’s real life relationship with Aditya Chopra.  But I think when Karan explores the sexual incompatibility of Rani and Abishek’s character’s marriage, and how Rani feels things with Shahrukh that she has never felt before — ding, ding, ding — we’re supposed to read into that a gay subtext.

Here’s an example when Shahrukh and Rani play act how he should greet his  wife while they are in a department store.  The first few times I watched this scene, I was focused on Shahrukh’s reaction, but look at Rani’s face at about the 1:17 minute mark.  She realizes she’s feeling desire for Shahrukh that her character has never felt with Abishek.  She wasn’t expecting to feel it, and she stops immediately, but she can’t stop thinking about it from this moment on.

I don’t believe that adultery is right, but I also don’t think people should stay in marriages where they are miserable.  And that’s the real message that Karan is trying to tell us, whether the couples are gay or straight.

The whole soundtrack of this movie is fantastic.  Margaret at Don’t Call It Bollywood posted today about how the song Mitwa  deconstructs the typical fantasy song.

Dishoom – Varun shines in this enjoyable buddy cop action flick

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Dishoom was exactly what it was advertised to be — a silly fun somewhat comedic action flick.  Varun Dhawan and John Abraham are odd couple buddy cops directed by Varun’s brother Rohit Dhawan.  It wasn’t the greatest flick, but it was an enjoyable time pass.

John Abraham’s tough guy custom agent is introduced to us kicking a guy out of an elevator because the poor guy dared to ask him to not smoke.  Funny enough.  But the next scene was problematic, as Kathy of AccessBollywood.net points out.  John discovers his girlfriend is cheating on him, and holds a gun to her head to get the lover to come out of hiding.  Completely unnecessary.  There are plenty of other scenes to establish how John Abraham’s character doesn’t play by the rules, and this threatened violence against women is jarring and the one off moment of the movie.

The star player of the Indian cricket team has been captured in an unnamed Mid-Eastern country.  John is sent to solve the case and avoid an international incident.  Varun is a rookie cop not trusted with more than picking up the captains kids and groceries.  He’s an interesting character, a Muslim NRI who jumps at the chance to serve India even though he was born abroad.  (And in a running gag, he’s searching for a bride from India.)

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Basically, I think Varun Dhawan is the Zac Efron of Bollywood.  He’s fantastic with the music numbers, was introduced in a high school musical, and is trying to transition to more mature adult roles.  (And he has a nice six pack like Zac.)  But he’s still the young kid in this movie, an eager hyper puppy jumping around the stoic John Abraham.  He’s one of the best things about the movie, and I love his chemistry with John.

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The plot doesn’t make a lot of sense.   Villain Akshaye Khanna is angry at the cricket player for losing him money or not throwing a game.  Or something.  It doesn’t really matter.  It’s just fun to see Akshaye embracing character roles, and I welcome his return to Hindi films.  He’s sort of the Mark Strong of Bollywood (looks a bit like him, too.)

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Jacqueline Fernandez has a fun time as a thief who gets caught up in the plot.  She has a great number, sometimes dancing with Varun, and dancing mostly around John.

The cameos were some of my favorite moments.  Akshay is gay, super wealthy and sports a man bun.  He’s hysterical and obviously relishes playing against type.  This selfie with the cricket player is a highlight:

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Buddy cop films have a long tradition in Hollywood, with one suffering stoic partner and the hyper funny one.  There need to be more in Bollywood like this.  There’s so many super cop solo hero films, but having two leads play off each other is great.  Dishoom was a light fun summer flick.  But it could have been a bit better.  My attention lagged a bit in the second half.

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But the very end and the final credit song has the last fun cameo — Parineeti Chopra.  Loved their number together!

Three stars out of five.

 

Kanan Gill is debuting in Noor with Sonakshi Sinha? That makes my day!

 

I was catching up with the The Bollywood Project podcast, and in their movie news, they mentioned that Sonakshi Sinha has started filming her next project, Noor, based on the 2014 Pakistani novel, Karachi, You’re Killing Me!

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But then they started listing the cast, and stand-up comedian Karan Gill of Youtube’s Pretentious Movie Reviews is making his Bollywood debut in Noor.

What?!   Picture me doing a happy dance.

aamir dance

Noor is due out this fall, and will be a comedy thriller.  Sort of Bridget Jones Diary set in Karachi, and Kanan Gill plays Sonakshi’s good friend Saad.  (Here’s hoping he ends up MORE than a good friend.)

Kanan Gill had an adorable Shaadi.com ad last year:

 

But this break is huge.  So happy for him, and excited for me!

Also, I’ve been watching his Office like web series Better Life Foundation.  Hilarious!!

 

Sonakshi is on Snapchat as @AsliSona and Kanan as @kanangill.  They both post really interesting stuff.